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WALLACE NOTTING 
PICTURES 



EXPANSIBLE CATALOG 

Being Studies in America and other 
Lands of Aspects in the Life of the 
Fathers and the Country Life of 
to-day. The pictures are made on 
platinum paper and are colored by 
hand. This book is merely a key of 
the subjeets. 


Published by 

WALLACE NUTTING, Incorporated 
Framingham, 1Mass.4Chusetts 


Copyright, 1915, by Wallace Nutting 













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THE UNIVERSITY PRESS 
CAMBRIDGE, MASS. 

©Cl.A 3 97411 

APR -5 1915 





TABLE OF CONTENTS 


Page 

Abbeys.351 

Best Sellers. 7 

Birches ( Including Streams and Roads with Birches) . 11 

Blossoms. (See also Cottages and Figures) .... loi 

Bridges.201 

Calendars.901 

Canals. (See also Bridges).251 

Cards.951 

Castles, Chateaux, and Similar Subjects .... 301 

Cathedrals, Churches, Abbeys.351 

Churches.351 

Colonials.451 

Cottages. (All domestic exteriors without figures) . . 401 

Explanation of Sizes and Letters. 5 

Figures. (Colonials and Gardens with figures) . . . 451 

Folders.951 

Foreign subjects are scattered under various classifications 

Frames.975 

Gardens. (See Figures and Cottages.) 

Marines.601 

Mountains.651 

Pastorals (Sheep, cattle, etc.).701 

Roads (Without Birches, Blossoms, or Cottages) . . 751 

Sheep.701 

Small Goods, Specialties.901 

Streams (Without Birches, Blossoms, or Bridges) . . 801 

SUBJECTS BY NUMBER 

From 1-3999 and above 8000, America (except very few 
old foreign). 

4000-4499 Italy (except even numbers to 4022). 

4500-4999 France and Germany. 

5000-5499 Holland. 

5500-8000 Great Britain. 


3 



















AN EXPANSIBLE CATALOG 


I N order to keep our friends advised of our recent 
work, we are putting forth this expansible catalog, 
so paged that at the end of each division. Birches, 
Blossoms, etc., supplements may be inserted from time 
to time, as they are sent to the holder of this catalog. 
The reader will kindly take care to make these insertions 
at once on receiving the additions, as this is the only 
manner in which this catalog can be at all correct or up 
to date. The issuance of these books is so expensive that 
we cannot afford to give out additional catalogs, and it 
must, therefore, remain with the holder to keep all the 
parts together. 

We believe that this is the richest setting forth of 
pictures which has ever been undertaken. We were told 
when the last list was issued that it was the best of its 
sort that was ever published. This book contains more 
than double the previous quantity of illustrations. It is 
not the intention, at any time, to issue any other book, 
but only to increase this one. 

This book, unless it is sold, remains the property of 
the publishers, being loaned. The holders are not, of 
course, at liberty to cut out portions of it. 

We have not retained quite all the old cuts, but most 
of them will be found in the following pages, some being 
inserted only for the sake of completeness. The entire 
collection of Wallace Nutting pictures consists of many 
thousands, not all of which can be here shown, but only 
a representative number. 

Probably a small list, without cuts, may be issued of 
subjects purely architectural. 

It is obvious that an index is impossible, as it would 
be useless after the issuance of the first supplement. 


4 


EXPLANATION 


The letters before the numbers refer to the sizes of the pictures, not to 
the size of the mounts. Before every number appears a letter, as C 220. 
This means the picture 220 is sold in the C, or 8x 10 size, on a mount 
14 X 17. In order to be sure to get just what you wish, it is necessary that 
the letter should be placed before the number, as perhaps the same number 
may be issued in ten different sizes. The C size will be sent unless other¬ 
wise ordered. 

The pictures are sold only in the sizes listed. As a rule they are not 
suitable to be reproduced in other sizes. If you do n’t trust our taste in 
this respect, and insist on ordering in other sizes please include one-third 
extra for cost of plate. We do not guarantee satisfaction in such cases. 


A means 

5 

X 

7 Plate, 

11 X 

14 Mount, 

List $1.25 

0 

4 

X 

10 

11 X 

17 

1.50 

S 

6 

X 

10 

13 X 

17 

2.00 

c 

8 

X 

10 

14 X 

17 

2.50 

0 

5 

X 

14 

13 X 

22 

2.50 

p 

73^ 

X 

14 

15 X 

22 

4.00 

E 

11 

X 

14 

18x 

22 

5.00 

F 

14 

X 

17 

22 X 

28 

6.50 

T 

12 

X 

20 

22 X 

30 

7.00 

G 

16 

X 

20 

26 X 

30 

8.00 

H 

20 

X 

24 

29 X 

36 

12.00 

J 

20 

X 

28 or 30 

29 X 

40 

15.00 

W 

20 

X 

40 

30 X 

52 

20.00 


The following sizes are signed but not titled: 


R means 

4 X 6 Plate, 

10 X 12 Mount, 

List $12.00 

K 

3 X 6^ 

8x 12 

9.00 

D 

3^x4 

7x9 

6.00 

D 

23^ X 5 

7 X 9 

6.00 

B 

2 X 3 

5x7 

3.00 


per doz. 


There are several hundred subjects under each of these small sizes. 
Orders in any size can be made up to consist, if desired, of figures only, or 
of blossoms, streams, birches or cottages. We do not show cuts of any 
size smaller than A. 


BEST SELLERS 


Seven Assorted, either as A set, C set, or E set 

Page 


2530 The Coming Out of Rosa (Figure and Blossom. Also in F) . . . 467 

6063 Larkspur (Figure and Blossom).451 

73 Decked as a Bride (Blossom. Also in S, O, P, G, H, J).109 

220 The Swimming Pool (vStream. Also in Q, S, O, P, F, G, T, H, J, W). 810 

3284 A Chair for John (Figure).462 

4010 A Fruit Luncheon (Figure).453 

5605 The Nest (Cottage and Blossom).401 

Second Seven Assorted, either as A set, C set, or E set 

292 Grace (Birch. Also in Q and F). 16 

506 A Canopied Road (Blossom. Also in Q, F, J). Ill 

170 Honeymoon Drive (Blossom. Also in F, G. H). 110 

437 Pine Landing (Water. Also in Q).818 

6414 Hollyhock Cottage (Cottage and Blossom).404 

4002 A Stitch in Time (Figure).461 

3082 Three Chums (Figure. Also in F).453 

Seven Assorted, either as Q set or O set 

3701 A Little River (Also in P, G, TandW).806 

5093 A Peaceful Stretch (Holland Canal).253 

158 Flowering Time (Also S, P, T, W).112 

3265 The Walpole Road (Blossom). 105 

5663 Five O’Clock (English Cottage).103 

750 The Book Settle (Figure. Also in S and P).469 

3734 A Newmarket Belle (Figure. Also in S).459 

Second Seven Assorted either as Q set or O set 
3147 A Sheltered Road (Birch). 11 

221 Whitsunday (Blossom). 113 

57 The Beauty of the Uplands (Blossom. Also in P). 116 

704 Confidences (Figure. Also in C, E, F).468 

3072 The Old Home (Figure. Also in S and P).461 

6134 The Tranquil Vale (Stream. Also in P).653 

3497 A Barre Brook (Also in C, E, P, T, W).804 

Seven Assorted as S set or P set 

247 A Berkshire Brook (Also in Q and C). 114 

3247 A Keene Road (Blossom).108 

52 Christmas Jelly (Figure. Also in C).480 

3670 In John Hancock’s Chair (Figure).483 

323 A Warm Spring Day (Pastoral. Also in 0, C, O, E, W).701 

985 A Fleck of Sunshine (Figure. Also in T).487 

268 Slack Water (Stream. Also in Q, 0, T, W) .808 


6 



































BEST SELLERS 


Seven Blossoms in C set, or E set (not included in any of above sets). ^ 

± AGE 

244 Where Grandma Was Wed (Also in P and J). 108 

3623 The Softness of Spring. 101 

3107 Windsor Blossoms. 101 

3301 Rural Sweetness. 105 

27 Billows of Blossom (Also in G). 102 

34 Spring in the Berkshires. 114 

112 A Tunnel of Bloom (Also in J). 116 

Seven Figures (Colonials), in C set or E set (not included in any of 

above sets). 

3304 The Treasure Bag (Also in A and G). 454 

703 Afternoon Tea (Also in G).471 

734 The Maple Sugar Cupboard (Also in G).474 

707 Prudence Drawing Tea.465 

4008 A Virginia Reel .461 

3744 A Formal Call.464 

3280 An Old Colony Home Room.463 

Second Seven Figures (Colonial), in C set or E set (not included in 
any of above sets). 

3728 Braiding a Rag Rug.473 

136 At the Fender (Also in A).. 467 

746 An Elaborate Dinner (Also in 0, F, P, J).481 

3288 The Divining Cup.458 

677 Mending (Also in G).471 

3796 Trimming the Pie Crust .459 

1389 The Spinet Corner (Also in Aj.478 

Seven Assorted Foreign, either as A set or C set. 

5561 Mary’s Little Lamb (England, Kent).704 

5010 Windings in Holland (Cottages and Canal) .254 

480 The Pergola, Amalfi (Also in E and F).606 

5606 Hawthornden (Cottage in .Sherwood Forest), (Also in E and G). . . 403 

5662 Under Ivy Bridge (Devon), (Also in E). 201 

4065 Little Washerwomen (Amalfi).458 

4463 Spring’s First Green (Mountain, No. Italy), (Also in E and G) . . . 654 

Seven Cathedrals, as A set or C set or E set. 

6222 The Conseious Stones (Bolton Abbey).352 

5701 Wells, from the Bishop’s Garden.353 

6125 Stepping Stones, Bolton Abbey (Also in T) .351 

4344 Venice’s Chief Glory (St. Mark’s) .356 

5550 Canterbury Close (long vertically).355 

5853 Durham.358 

4276 The Italian Spring (Seven-Domed Church, Padua).358 

As popularity varies a new sheet will be sent to substitute for pages 6 and 7 . 

7 



































HOW TO ORDER PICTURES 


No Pictures on Commission. We do not send out pietures on eommission 
sale, beeause we have always been able to sell all the pictures we could make 
and make well. 

No Pictures Returnable. No pictures are sold with the direct, indirect, or 
implied obligation to receive them back if not sold. No salesman in our 
employ has any right to give any such assurance. 

Making up Orders. Those dealers who are acquainted with our pictures 
can easily find by referring to the classification on page 3 the class of subjects 
for which they are looking. One warning should be given. A great many 
cuts appear in the squarer shapes, like the C and E size, which arc also made 
in narrower panels, so that if a buyer is looking for panels it is wise for him 
to give heed to the notations under all the pictures in a certain class, to see 
whether or not they may be issued in the panel size. 

Express, Freight or Mail. Unless particular instructions are sent with 
the order we shall forward goods by the cheapest way. 

Packing. All packing is done gratis, except in case of less number of 
framed pictures than regularly sold, or less than seven A size or larger, when 
a charge of twenty-five cents is made for packing. 

Claims for Injury. The forwarders are in all cases liable for injury to 
goods in transit. 

Remounting. We remount pictures for the nominal charge of fifty cents 
per dozen in assorted sizes. The expense to us is considerably more than 
this; but it is for our interest that the pictures be kept in good condition, 
and we wish to stand behind the buyer in this particular. 

It is, however, essential, if the buyer dismounts his pictures to return to 
us, that he cut out and send to us the signatures. We are obliged to make 
this rule as instances have not been unknown of mounting other pictures 
than our own above our signature. We would advise that pictures sent to 
us for remounting should not be dismounted, but should be cut down nearly 
to the size of the print. 

A Variety of Specialties. We have an immense variety, some five or six 
hundred styles, of special goods, some, in the form of plain engraving, being 
invitation cards, etc., and others are special styles of menus, banquet cards, 
place cards, etc. Above are not illustrated. 

New Small Goods. We are constantly adding to the range of our num¬ 
bers in the small goods. We make at least one new subject a day of this 
character. 



C 3515 


Q and C 3459 


Cross Road Shadows 


A Marlboro Shore 



A Sheltered Road Q and 0 3147 


Early May Q. S and P 3067 


Up the Hill Q and S 3025 


We have been accused of overcoloring the birch trunks. It is hard to believe that the birch is so white. 
We do not color the trunks at all, except where the outside bark is missing. At first the exposed bark 
is red brown, but turns dark gray to black. 


Copyright, 1915, by Wall.\ce Nutting 


11 



Birch Drapery 


C 3611 


Southboro Birches 


C. E 3071 



The Bridesmaids of the Wood 


E 61 


Morning Among the Birches 






Birches in Autumn Q 3662 


The Shore Vista Q 579 


Early Foliage Q 3145 



Birch Clusters P 2701 



Roadside Grace 


A 239 


A Birch Wood 


A 277 


Copyright, 1915, by Wallace Nutting 


13 







Spring at the Lake 


C and F 3461 


A New Hampshire Drive 



A Fence Row 


C 2626 




C 439 


Lookout Point P, E 367 


Birch Curve 


The Climax of the Road E 88 


Birch Strand Q or C 296 


Silver Birches 


Q or C 278 



The Birch Bank 0 443 


Copyright, 1915, by Wallace Nutting 


14 








An Elm-Birch Arch O, P or E 355 



Among the Ferns C 351 



A Birch Grove -A, C, E or J 370 


Copyright, 1915, by Wallace Nutting 


15 




Birch Bend C, E, F 18 


The following are not illustrated; 


P 368 Birch Lookout 
C 546 A Lincoln Drive 
A 1727 Up the Path 
A C 1830 The Birch Border 
O P 2706 The Curve of a Hill Road 
C 3001 Autumnal Birches 
S 3005 A Thanksgiving Landscape 
A 3063 A Downward Curve 
C 3151 A Mountain Shore 


C 3155 Birch Knoll 


A 3163 
A 3181 
S P E 3311 
C 3501 
A 3557 
C 3571 
C 3667 


A Passumpsic Gorge 
The May Awakening 
Early Birches 
A Brandon Roadside 
Lichen and Birch 
White Mountain Birches 
White Mountain Birch Road 


Copyright, 1915, by Wallace Nutting 


16 








A Berkshire Path 
S 264 


Woodland Enchantment 
C 559 



A White Rail 
C 301 



•' . - ^ 

Birch Hilltop A. 0. C. O. P. E or H 382 Wallace Nutting 


Copyright, 1915, by Wallace Nuttinc: 


17 






A Woodland Cathedral C, E 14 



Birch Mountain Road P or E 380 



Q, C, P or E 249 


The Light Side of the Road 


C 238 


A Silent Shore 



New Hampshire Birches 


A 371 


Lake Bank Birches 


C 1445 


Copyright, 1915, by Wallace Nutting 


18 





The Softness of Spring 


C,E 3623 


Windsor Blossoms 


C, E 3107 



Springfield Blossoms 


C 3105 


Meadow Beauty 


A, ana tt 




Copyright, 1915, by Wallace Nutting 


101 







A New Hampshire Road Q or C 659 



The Cottage Path 
A 465 



We are Young! 0 189 



Billows of Blossom 


C, E and G 27 


> 


Copyright, 1915. by Wallace Nutting 


102 





Five o’clock 


O, P 5663 


Wallace Nutting 



Old Framlingham 


A, C 5648 


At Grandmother’s 


A. C 4852 



Blossom, Stream and Tower 


A. C 5784 


BLOSSOMS 

The eternal appro]4riateness of a blossom pieture as a gift results in very great popular¬ 
ity for this elass of subjects. They are all good for weddings. Some of them are especially 
titled for that purpose. Strange to say, blossoms sell at Christmas as well as at any time of 
the year. People wish to import the spring into the winter. For the sick, or for any place 
whatever in the home, even the dining-room, they find their place, and next to the figure 
subjects they are the most popular class of our pictures. 


Copyright, 1915, by W.4LL.A.CE Nutting 


103 





Blossom Point 


c no 


Queen of May E 38 





The Sweets of Spring 


C 612 



Blossom Landing Along the Wall A 1447 New Life A 409 

A. Q or C 436 




Heifers by the Stream Q 358 



Copyright, 1915, by Wallace Nutting 


104 






Rural Sweetness 


C and E 3301 


On Worcester Hills 


C 3429 





The Pride of the Lane 


C or E 177 



Down the Hill to School C 334 




Petals in the Path 


E or P 137 


Through the Orchard Road 


E 109 



The Walpole Road 0 and O 3265 


Copyright, 1915, by Wallace Nutting 


105 




Blossom Bordered 


C, E or J 58 


Wallace Nutting 



Vermont Blossoms 


C 3101 


Fair May 


A 3179 



A Roadside Apple Tree 


E 94 


Copyright, 1915, by Wallace Nutting 


106 




The Hawthorn Dell 


A, C 5627 


While the apple blossom seems the 
favorite, we have lately learned that the 
English hawthorn, either white or pink, 
as it ornaments the hedge-row in May, is 
a close rival. On this page at the top 
appears a group of wild hawthorns bloom¬ 
ing along a path. The second picture is a 
channing bit in Normandy, showing the 
long thatched dormers running to the peak of the roof. The bottom picture is a sweet 
and restful scene near Dort. 

On the next page, “ Orta in Blossom Time ” is a view across one of the smaller Italian 
lakes, and is proving very attractive. Of course, “ Honeymoon Drive ” still remains a 
favorite. Probably two-thirds of all the blossoms shown are in attractive request almost 
every day. 

The handsomest of the very large blossoms is the forty-inch picture “ Flowering Time,” 
although ‘‘ The Beauty of the Uplands ” is a rival. 



Thatched Dormers 


A, S.C 4826 



Dykeside Blossoms 


A,Q 5083 


Wallace Nutting 


Copyright, 1915, by W.\ll.\ce Nutting 


107 


Orta in Blossom Time 


A and S 4460 


A Keene Road 


S and P 3247 



Wallace Nutting 


A Berkshire Cross Road 


C 331 



The Old Homestead 


C or E 1130 



Where Grandma was Wed 


C or E 244 


opyright, 1915, by Wallace Nutting 


108 



Decked as a Bride 


C, E or J 73 


Wallace Nutting 



Blossoms that Meet A or C 895 





Housatonic Blossoms 


0 980 



A Bee’s Paradise 


Q 458 



Across the Farm 



Above the Orchard 


Q 149 


Copyright. 1915, by Wallace Nutting 


109 





Honeymoon Drive 


A, C. E, F, G or H 170 


Wallace Nutting 




An English May 


Q 2694 


Nearing the Crest 


Q or S 432 



Wistaria Gables 
Q 2161 



A Tunnel of Bloom C, E or J 112 Wallace Nutting 



May by the Wayside 
0 489 


Copyright, 1915, by Wallace Nl'Ttixg 


no 



A Canopied Road A, C. E, F or J 506 Wallace Nutting 





Spring Fashions 


Q, S, or C 270 



Over the Treetops 


C 879 



Bowered Banvay 


C 470 



The Wealth of May C 2601 


Copyright, 1915. by Wallace Nutting 


111 




Bloom and Shadow C 487 



Lined with Petals 


C 597 



Blossom Drive 


O or C 649 


A Mav Countrvside 






A Stamford Roadside 


A, C 3231 


A Valley in the Pyrenees 


A,C 4591 


Copyright, 1915, by Wallace Nutting 


112 







Happy Valley Road 


0 or C 205 


Wallace Nutting 



An Old Back Door 
A 491 


Height of Spring 
A 445 


A F ragrant Highway 
A 459 


Blossom Cottage 
A 2657 






Petals Above and Below 
A 164 



On Either Hand 
A 2663 


The Shadow of the Blossoms 
C 165 



Over the Road 
C 427 






At the Barvvay 


E 33 


Spring in the Berkshires 


E 34 



The Way of the Blessed 


E 105 


Curve, Shadow and Bloom 


E 64 




A Berkshire Brook 


0, C or P 247 


A Berkshire Bend 


P 87 



The Orchard Bend 
A 457 



A 78 




A Pink Bower 
A 461 


The Heart of the Orchard 
A 456 


Copyright, 1915, by Wallace Nutting 


114 




EDUCATION 











Taste in pictures de¬ 
velops slowly in most 
minds. At first the 
gaud}", the elaborately 
ornate, at last the deli¬ 
cate touches win. We 
make these pictures 
partly to satisfy our own 
feeling, and partly in 
the effort to lead the 
public taste. These col¬ 
ors are in some cases a 
trifle overdone, and in 
other cases arc what we 
consider just right. Any 
blossom whether made 
by God or man will, if 
left long in the sun, tone 
down a little. If you 
ask, why so many roads, 
we reply that all pictures 
derive enhanced attrac¬ 
tion from a human rela¬ 
tion. There is more 
sentiment and chann in 
combining a path or a 
road with a blossom than 
in giving either alone. 
We are prepared to sup¬ 
ply so many different 
styles that the taste of 
the customer is sure to 
be satisfied. Please do 
not order pictures in an}- 
other sizes than those 
listed. If the subjects 
were appropriate for 
greater enlargement they 
would be so listed. Satis¬ 
faction will not be guar¬ 
anteed on orders of en¬ 
largements and we shall 
be obliged to charge for 
the plate. 




A Memory of Childhood 
A or C 160 


“Over the Hills and Far .-^way.” 
S 724 


Over the Crest 
Q, S or C 639 


The Turn by the Bars 
S 928 


Where Bees are Humming 
S 414 


A Maple-Apple Arch 
S 972 


Disappearing in Blossoms 

sun 


A Double Border 
S 1110 


From the Foot of the Hill 
S 428 










The Beauty of the Uplands 


S, P, W 57 



Highland Blossoms 


S, P, W 49 



Sussex Blossoms 


A. S 5787 


Mellow May 


A. S 4841 





A Peep at the Hills C 476 


The Guardian Angel 
Q 1041 


By the Stone Wall C 835 


Copyright, 1915, by Wallace Nutting 


116 










Under Ivy Bridge A, C, E, F 5656 Wallace \utting 



Bridge of Three Arches 


Wallace Xutting 


Copyright, 1915, by Wallace \uttin(; 


201 














Bridge of Sighs Q 4235 


A Rural Path Q 6241 


Q 4299 



Far From Broadway 


A,C 6287 



St. David’s Bridge 


A, S 6047 


Copyright, 1915, by W.\ll.\ce Nutting 


202 






Dream Arches 


A, C, E 4564 


Among Saffron Sails 


A, C 4314 




Water Paths of Venice 



A Canal in Sunshine 


A, C 4325 


Copyright, 1915, by Wallace Nutting 


203 





















A Golden River A, C, E 6120 Wallace Nutting 



The Old Bridge and the New 


A, C 6226 



The Vale of Derwent 


A. C,6128 


Copyright, 1915, by Wallace Netting 


204 





Devon Arches 


A. C 5692 


A, C 6089 


Late Twilight 



The Forgotten Bridge 


0, S 5938 



Wallace Xutting 


Below the Arches 


Copyright, 1915, by Wallace Xuttixg 


205 









Oak Glen 


A. C 6422 


Lichen and Foam 


A, C 6232 


Copyright, 1915, by Wallace Nutting 


206 






BRIDGES 




The Pebbly Strand A, S, C 5691 




Bridge Drapery 


A, C 6420 


A Leisurely River 


A, Q 6440 



Where the Stream Rests 


A, C 5693 



A Bridge in Spain A, C 4615 


Copyright, 1915, by Wallace Nutting 


207 








The Old Meadow Arches 


A. S 5936 


A 4379 


Lecco's Bridge 




Entering the Old Bridge 


C 663 



The Church and the Bridge 


American bridges, unhappily being built of wood, arc not, as a rule, very attractive. 
“ Entering the Old Bridge ” above is an agreeable exception. There is also “ A Wood- 
stock Arch ” (C 151), and “ The Upper Winooski ” on page 803. 

In England and on the Continent the bridges, being almost altogether of stone and often 
ivy covered, are imrticularly fine, and we have a list of about 300 such pictures. Those 
illustrated are a representative selection and include subjects made in seven foreign coun¬ 
tries. “ Dream Arches,” on page 203, is the famous Roman Aqueduct near Nimes. We 
have this picture in horizontal form, also a diagonal view up to E and F sizes. It will 
be noticed that the upper left and bottom right pictures on page 207 are Spanish. ” Oak 
Glen ” is a Roman bridge in Wales. ” A Golden River ” cannot fail to please. 


Copyright, 1915, by W.\ll.\ce Nutting 


208 








The Mills at the Turn 


A. S, E, F 5061 



Strolling on the Quay A, C 4326 



Sailing Among Windmills A, Q, S, O, P 5086 


The Canal Road 


A. S 5100 





A Listless Day 


A, S, C 5016 


A Canal Dock 


A and C 5026 


Copyright, 1915, by Wallace Nutting 


251 











La Gindecca 


A, C 4298 


A Water Garden in Venice 


4333 




A Dutch Bridge 


S 5094 Dutch Sails 


Q, S 5082 




The Sleeping Canal Q 4299 


In Worden Q 5092 




The Cheese Market A, S 5058 


Copyright, 1915, by W.a.llace Nutting 


252 












A Peaceful Stretch 


Q, O 5093 


Wallace Nutting 





^ _ 


f f.h 







The Canal Row 


0 5062 


Wallace Nutting 


CANALS 

Please notice that a considerable number of pictures which would othenvise come under 
this classification are in the class of Bridges (page 201); that is to say, if canals have bridges 
we have for the most part placed the cuts wdth Bridges. There is a considerable similarity 
in the large number of other canal pictures which we have. The famous cheese market 
at Alkmaar (page 252) is one of the daintiest architectural bits in Holland. 


Copyright, 1915, by Wall.ace Nutting 


253 





A Gondolier Dock 


A, C 4302 


Windings in Holland 


A, C 5010 



With the Wind A, Q 5024 


Copyright, 1915, by Wallace Nutting 


254 



Old Moat of Raglan 


A, C, E 6452 

As a Vertical Picture the number is 6451 and is entitled A Castle Moat 


Wallace Nutting 




A Castle Outwork 


A,C 6441 


Rheinstein 


A, C 4892 


Copyright, 1915, by Wallace Nutting 


301 







Entrance, Carew Castle 


A, S 639! 


A Baron’s Hold 


A, S 5992 




By Castle Towers 


A, S, C 5996 


Ruins of Rievaulx 


A, S 5902 




The Aude Gate 


A,C 4505 


A Welsh Stronghold 


A, S 6394 


Copyright, 1915, by Wallace Nutting 


302 








An Oriel (Quimper) 


A, S, C 4763 


The Donjon, Chenanceau A, C. E 4651 



Chambord and Its Bridge Q or S 4733 Wallace Nutting 


Copyright, 1915, by Wallace Nutting 


303 









Warwick Castle 


A, Q, S 6275 


Wallace Nutting 




Beneath Castle Walls Q 5991 


An Old Castle Stair Q 5833 



Carcassonne Q -1508 


CASTLES 

We have besides the castles shown, a considerable number of others, such as Tantallon Hold (page 603 
included with some others under Marines, and Dover Castle (no illustration). There are also Hardwuck 
Hall, the chateaux of Loches and of Pau and various other French and British strongholds. 

CASTELLATED CARCASSONNE 

We have about fifty prints of Carcassonne. The one showing the whole town from the plain is attract¬ 
ive. There are also others that show sections of the castle wall, of the keep, of the streets, and of the noble 
church, and the remains of the old theatre. This is so special a subject that we have illustrated only one 
of these, but would be glad to furnish information on request. 


Copyright, 1915, by Wall.\ce Nutting 


304 












Stepping Stones at Bolton Abbey C. E, T 6125 Wallace Nutting 


The picture above shows one of the most remarkable series of stepping stones in Britain. 
There is another series near Bridgend in Wales (page 461) and elsewhere. The combina¬ 
tion of the stepping stones with the abbey above makes a very beautiful subject for a library 
or parlor wall. It will be noted that it is published in the larger sizes. Besides the illus¬ 
trations w^e have pictures of Exeter, of Tintern Abbey (this not recommended, because 
being repaired), of Vendome, of Quimper, of Notre Dame, of Strasburg, and others in 
Italy, France and Britain. We also have some fine old American churches of the Georgian 
type, both interiors and exteriors. 

The pictures shown are only samples of the wealth of material secured by IMr. Nutting 
during his recent trip abroad, when he took over two thousand pictures. He has, for 
example, some forty or fifty pictures of Canterbury, some fifteen or 
twenty of Salisbury, and the same number of Alilan. 

The Milan pictures give fine bits of the exquisite detail of that 
famous structure. Note, for example, on page 356, the statue on 
the lofty tower. It is one of hundreds, and is said to be that of 
Christ blessing the city. On page 357 is shown another charming 
segment of the great cathedral. 



Temple of Zeus, Athens 
C. E or G 36 


Copyright, 1915, by Wall.4CE Nutting 


351 






The Conscious Stones 


A, C, E 6222 (also A, C and E 6219 Vertical) 


An Italian Dream 


A, C 5795 


A, C, E 4218 


Copyright, 1915, by Wallace Nutting 


352 






















Gloucester Cloister 


A, C 6282 


Wells, from the Palace Pool 


A, C, E 570U 



Santa Barbara 
Towers 
0 or C 2217 



The Baptistry at Canterbury A, C 5776 


Copyright, 1915, by Wallace Nutting 


353 






















An Abbey Moat 


A, C 6053 



Scott’s Tomb, Dryburgh A, S 5885 





Within the Close 


A. C 5699 


Canterbury Arches 


A, C 5549 













Main Door, St. Mark’s 


> 


A, C, E, G 4255 


Cloister Seats, Canterbury 



A, C, E 5545 


At Canterbury Gate 


Canterbury Close 


A, C, E 5550 


Copyright. 1915, by W.\llace Nutting 


355 


































A Detail of St. Mark’s 


A. C. E 4,M8 


Porta Della Carta 


A, C, E. G 1346 



Through Milan’s Spires A. C. E. 4375 


Venice’s Chief Glory 


A, C, E 4344 


3vS6 


Copyright, 1915, by Wall.\ce Nutting 



























The Church by the Stream 


A. C 5576 


Salisbury 


A and C 5710 



A Cathedral Close, Rouen 


C 4823 



A Part of Milan’s Towers A, C, E 4381 


Copyright. 1915, by Wallace N'utting 


357 





















The North of Canterbury 


A, C 5778 


The Abbey Road 


A. S 6447 


Old Glastonbury 


A, C 6344 


Durham 



A. C 5853 




Wells, Bishop’s Garden A, C, E. F 5701 



Copyright, 1915, by Wallace Nutting 


358 



















Bolton A, C, E, F, T 6216 Wallace Nutting 



St. David’s Palace 


A, S, P 5981 



Summer on the Avon 


A. S, P 5708 



The Ruins of San Diego Mission C 2203 



San Diego from the Highway C 2208 


Copyright, 1915, by W’allace Nutting 


359 





Old Italy E 31 


The Mission Road 


C 2218 


Churchyard, San Luis Rey C 2204 




Litchfield Minster 


A, C, E 5845 




Mil 


On the Avon 


4 

■ 

A. C 5707 




The Poetry of the Mission C 2198 


A Corner of Capistrano C 2192 


Copyright, 1915, by Wallace Nutting 


360 



Ivy and Rose Cloisters C, E. F or J 2197 



The Abbey by the Stream Q, O 6028 


Neath Abbey, shown just above, is in South Wales and, with the bridge in conjunction, 
it affords a charming horizontal panel, but no one should buy it who does not love abbey 
ruins. “ Summer on the Avon ” (page 359) is not made at Stratford, which does not now, 
with its lofty trees, make a satisfactory picture. The print on page 359 is of Salisbury, of 
which there is another one long vertically, and various detailed views. “ Litchfield Min¬ 
ster ” (page 360) has some fine pink hawthorn blossoms just beyond the water. The rich 
brown tones of the spires give this subject a peculiar distinction. On page 358 “ The 
Abbey Road ” shows the \"ale Crucis. “ The Italian Spring ” on the same page is the 
famous seven-domed church of Padua. “ Durham Towers,” shown on the same page, 
has a sky of a soft reddish brown and is a rich afternoon theme. 

None of the Nutting negatives are ever sold, though frequent requests have come from 
competitors for the sale of such as we no longer use; but following the law that “The good 
is the enemy of the best,” we constantly consign to the scrap heap 
subjects which have proved salable, but have been superseded by 
others a little better. 

The line is thus being constantly enriched, not only by additions, 
but by critical selection and substitution. We are never content with 
past successes. Among the most widely popular are subjects added 
only within the last few months. 



San Gabriel Mission 
A 126 


Copyright, 1915, by W.\u.ace Nutting 


361 




The Approach Q, S, C. P or E 219.i Wallace Nutting 


MISSIONS 


Mr. Nutting has made practically all the Californian Missions. It has always been 
his opinion that they arc overrated architecturally. Nevertheless, that shown immediately 
above, especially in the panel size, is very attractive. “ Ivy and Rose Cloisters ” (page 
361) appears in large sizes. It is especially satisfactory in the E and F sizes. We have 
a half-dozen aspects of San Gabriel and Santa Barbara. 

If it is desired to obtain any of these ecclesiastical themes without color, they will be 
supplied in sepia, but long notice is required, as we use very little sepia. 

Mr. Nutting is in process now of making additions to his old American churches; but 
the demand for them is more largely from architectural students. Mr. Nutting will make 
to order any American church within reasonable distance of his home, if given a little time, 
as he tours a great deal. He will also make arrangements to photograph private estates, 
if desired. 


Copyright, 1915, by Wallace Nutting 


362 





A Waterside Cottage 


A,C 4720 


A House Lane 


A, S 5823 



The Nest 


A. C, E 5605 


Wallace Nutting 


Copyright. 1915, by Wallace Nutting 


401 








The Parsonage Drive 


A. S 5624 


Patti’s Favorite Walk 


A, C 6230 




Isaac Walton Brook 


A. C 5804 


The Farmstead Entrance (FranccI 


A,C 4654 



A Peaceful Village A, Q 4833 


Copyright, 1915, by Wali.ack Xutting 


402 





Where Grandma was Born 


A, C, E 6119 


The Vicarage 


A, S 5704 



Gate with Urns C 986 



Langdon Door C 572 



A Georgian Door S or C 989 



Hawthornden 

Copyright, 1915, by Wallace Nutting 


A, C. E, F 5606 
403 


Wallace Nutting 











The Little Street 


A, C 6059 


Home 


A, S 6220 



A. C. E 6414 


The Protecting Home Tree Wallace Nutting 

C and E 1517 


Hollyhock Cottage 



A Newbury Door 


S, C 991 


The Lure of Home Q 6410 




Benedict Door C 571 


404 


Copyright, 1915, by Wallace Nutting 







Two Centuries 


A, C 182(1 


Home Charm 


A aii'l C 1 427 Wallace Xutting 




Afternoon in the Lane 


Up from the Dell 


A, C, R fill? 



Thanksgivin(? 
A 60 


Copyright, 1915, by Wai-I-ace Xuitinc 


405 





The Cottage in the Lane A or C 1127 



The Wayside Inn Approach Wallace Nutting 

A and C 592 



A Connecticut Homestead A or C 346 



The Old Stage Road E 120 



The Wayside’s Colonial Dignity Wallace Nutting 

A, C and E 648 


Copyright, 1915, by Wallace Nutting 


406 








Larkspur 


A. C and E 6063 

The above will not make a larger picture 
451 


Wallace Nutting 


Copyright. 1915, by Wallace Nutting 











Warmine: the Porridge 


C 3522 


Watchful Waiting 


C3482 



The New Parasol 


C, E 3650 


Wallace Nutting 


The room above is very old, and so is all the furniture. “ Everything antique but the 
girls.” Mr. Nutting now makes no “Colonial ” subjects without insisting that the furniture 
be absolutely appropriate. 


Copyright. 1015. by W.m.i.ace Nuttint, 


4,62 



















Winding the Old Tall Clock C, P and E 3302 


Three Chums 


A, C, E, F 3082 




Her Old Trundle Bed 


C 3126 


C 3004 





































A Discovery 


A. C. E 3298 


A, C. E. G 3304 


The Treasure Bag 



Rag Rug Weaving C 3152 

(Recreations of our Foremothers, C. E 3150, similar) 


Afternoon Recreation 


C 3292 



Ancient Treasures 


A,C 3320 


A Family Heirloom 


C 3030 


Copyright, 1915, by Wallace Nutting 


454 










































Fair Weather To-day 0 3118 



L’Allegro Q and 0 3164 


Copyright, 1915, by Wallace N'l'Tting 



Out of the Garden 


0 3106 



His First Letter 0 3092 


Cupboard China 0 and S 32 44 






The Tea Table A. 0 and C 3314 


455 
















At the Low Boy Q and C 3306 


His Rose Q. S, C. P 3016 


The Old Settle 


0 3088 


Passing the Portal 


C 3102 


A Windsor Maid 


0 and C 4006 




Copyright, 1915. by Wallace Nutting 


456 















Baking Day 


A, C. E 3704 


At Paul Rev'ere's 


C 3586 


The vacant chair “At Paul Revcrc’s” was the property of the original Paul Revere. 
The gown in this picture colors very daintily. The house in which “Making a Rug” was 
taken is of the 1810 period. 



Making a Rug 


C and E 3716 


Wallace Nutting 


Copyright, 1915. by W.^i.l.ace Xi’tting 


457 



















A Divining Cup 


A. C, E ,?2H8 


Little Washerwomen. Amalfi 


A, C 4065 



Dutch Maids 


A, C 5006 


The Expected Letter 


A, S, C 6064 



A Double Drawing Room 


Q. S 4014 


A Yard of Dutchmen 


0 5071 


Copyright, 1915. by W.\ll.ace Xl'tting 


458 



























Trimming the Pie Crust A, C and E 3696 Wallace Nutting 


For long Mr. Nutting has planned a pie-making picture, only waiting to find a worthy interior. Note 
the ribbon of dough tliat is being trimmed from the crust. This house was built in 1658. Note the coped 
effect above the fireplace, d'his holds u]) the hearth on the floor above. 



.A Newmarket Belle Q. S, O, P, E 3734 Wallace Nutting 


The name is given because a racing scene appears above on the wall paper. Tlie empire sofa shows an 
early Victorian room, with the other older furniture retained. 


Copyright. I91.S, by W.M.L.tcic Nutting 


459 











Creature Comforts C. E 3668 Wallace Nutting 



The Rose in Bloom 


A, C 6455 


A Knickerbocker Fireplace 


C 3226 


Copyright, 4915, by Wall.^ce Nutting 


460 








































A Classical Maid Q and S and P 3138 


A Cool Spot for Work 


A, C 5089 




A Stitch in Time A, C, E 4002 

(A Delicate Stitch, similar, is A, C, E 1506) 


A Virginia Reel 


C, E 4008 



The Old Home 


Q, S, O and P 3072 



Breakfast Time 


Copyright, 1915, by W.allace Xutting 


461 





























Sunday Afternoon in the Old Home 


C 1816 


Rose Standish 

(Doorway Welcome, C 3516, similar) 


C3518 



A Chair for John 


A, Q, S, C, O, P, E 3284 


Wallace Nutting 


Copyright. 1915, by Wai.l.xce Xl'tting 


462 


























The Daguerreotype 


C 3002 


A Colonial Kitchen C. E, G 3282 

(An Old Colony Home Room, C 3280. similar) 




The Charms of Home 


C and E 3068 


An Old Colony Parlor 


C and E 3290 



The Home Room 


C or E 745 


Copyright, 1915, by Wallace Xctting 


463 

















The Formal Call 


A Colonial Belle 


Wallace Xutting 


Q 3736 


Wallace Nutting 


Copyright, 1915, by Wallace Nutting 


464 



























Sunshine and Music 


Q. S, C 1340 


The Long One or the Short One ? 


S. C 3470 




Ancient Stepping Stones 
0, O 6108 


Rose Standish Q 3694 


All Smiles 


0 3692 




Prudence Drawing Tea C or K 107 A Pilgrim Daughter A. C, E or G 988 


Copyright, 1915. by Wallace Xutting 


465 

































The Settle Xook A and C 1511 Wallace Xutting 

The Settleback is 242 years old 


Copyright, 1915, by W.\ll.\ce Nutting 


466 















The Coming Out of Rosa 


A, C, E or F 2530 


Wallace Nutting 



In Grandpa’s Day S 212 


Easter Morning S 2188 





At the Fender 


C or E 136 



A Patchwork Siesta 


C or E 2263 


Copyright, 1915, by Wallace Nutting 


467 




















Confidences 


0, C, E or F 704 
















The Book Settle Q, O or P 750 Wallace Nutting 



The Window Garden 
C 771 


Uncle Sam Taking Leave 
S or C 294 


The Sallying of Sally 
C 118 


Copyright, 1915, by Wallace Nutting 


469 



















A Bit of Sewing 


Wallace Nutting 




From the Old Bucket 
S or C 942 


A Threatened Shower 
C or S 495 


An Ancient Secretary 
S 966 



Copyright, 1915, by W.^ll.\ce Nutting 


470 

















An Afternoon Tea C, E or G 703 


I 

I 


i ' 

The Lady in Green S 141 




A Private View Wallace Xutting 
A. O. S. O, P 209 



Bag and Baggage S 106 



Mending C, E or G 677 Wallace Xutting 


Copyright, 1915, by Wallace Xutting 


471 












■ 



The Going Forth of Betty S or E 420 



Maiden Reveries C, E or F 681 


Copyright, 1915, by Wallace Nutting 


472 














Braiding a Rag Rug 


A. C and E M2S 


Wallace N'utting 



Afternoon in Nantucket S or C 1026 



Primping A l.k'' 



Fashionable ’Sconset S or C 1022 



The Judge’s Daughter 
S or C 2181 



Copyright, 1915, by Wallace Nutting 


Laying the Fire 
S or C 17 

47p 


Wistaria Lodge 
C 2142 






















The Maple Sugar Cupboard 


Wallace Nutting 




Warming the Cream C 963 


To Slumberland A, C or E 2292 

Copyright, 1915, by Wallace Nutting 


A Layender Canopy C 2180 


After the Party C or E 2295 


Pinning the Lace Q, S, O, P 139,5 






























A Maid and a Mirror Q, S 1394 


The Last Touches 
Q,S, O, P1498 


Up the Half Stair Q 1396 



Copyright, 1915. by Wallace Nutting 


475 





























Admiration 


Wallace Nutting 


C 454 


Announcing the Engagement Wallace Nutting 

A. C and E 405 



The Reception 


S 5588 


Mending the Quilt 


A 5625 



Nuttingholm at Framingham 
(Not an art subject) 



A Musical Reverie Wallace Nutting 

C 1509 A Dreamy Poetic Theme 


Copyright, 1915, by Wallace Nutting 


476 


































Comfort and a Cat 


C 545 


Wallace Nutting 



Garden Gossip A or S 2250 



After Tea 


A or C 2249 



C or E 915 


A Chat at the Window 



The News in Brief A, C and E 254 Wallace Nutting 


Copyright, 1915, by Wallace Nutting 


477 













An Old Drawing Room C 1388 Wallace Nutting 


The Spinet Corner A, C. E 1380 Wallace Nutting 



City of Paris Paper A, S and P 770 Wallace Nutting 


Panniers of the Past S 1330 W^allace Nutting 



Her First “At Home ’ 
A. G 320 


Under the Wistaria C 21 77 


While I Was Musing Q. C 283 






Wavering Footsteps 


C 2531 


A Sunny Corner 


A, C 3702 


Copyright, 1015. by Wallace Nutting 


478 






















The Tangled Skein C 1510 Wallace Nutting 


The Morning Mail C 1507 Wallace Nutting 




17th Centurj’ 


A, C or E 10 


Colonial Dames at Tea 


C 298 



Sisterly Criticism C 804 


Shy Before Guests C 2291 


Ivy Pruning S 1024 


In order to guarantee the ajjpropriateness of our old-fashioned subjeets, Mr. Nutting 
has for years made a speeial study of old furniture and Colonial architeeture, and has at 
last even written a book on the subjeet illustrated in color with his pictures. 


Copyright, 1915, by W.all.ace Nutting 


479 





































For the Honored Guest 
Q 889 


Watching for Papa 
S 2532 


Parting at the Gate 
S 2133 


A Breezy Call 
0 1018 



The Sand Mirror 
A 2074 


Christmas Jelly 


S 52 


Summoned to the Parlor 
A 2589 





A Cold Day A, C or E 962 Wallace Nutting 

A very ancient North Shore fireplace made in the days of double ovens back of the 
hearth itself. 


Copyright, 1915, by Wall.\ce Nutting 


480 









An Elaborate Dinner 


C, E, For J 746 



The Marvin Door 
Q, S or C 918 


Callers at the Squire’s 
C 124 


A Tap at the Squire’s Door 
C 119 




Salem Beautiful 


C 994 




A Rebellious Vine 
0, S or C 2165 


Copyright, 1915, by Wallace Xuttin'g 


481 



































All the News—and More 


C. E. F and G 396 


Wallace Nutting 









Resting at the Old Stoop 


A, C or E 416 


The Sea Cap’n’s Daughter 


Q, S or C 995 


Copyright, 1915, by Wallace Nutting 


482 



























In John Hancock’s Chair S, P 3670 A Dutch Knitting Lesson A, S, C, E 5066 



A Friend's Farewell A and C 1356 Wallace Nutting 


Almost Ready 


S, C, E or G 641 




An Old Tune Revived S or C 261 



A Wayward Branch C 2182 



Copyright, 1915, by Wallace Nutting 


483 






















ffiiiiiilii. llilll) 



Nursing the Fire A,Q,SorC7 



Gathering a Bouquet 
Q 1033 



The Flower Missionary 
Q or C 1029 



Jane A, Q or C 1031 



Gathering Blossoms 



An Eventful Journey C 101 



At the Side Door C 175 


A Hearty Welcome C 74 7 




A Cranford Tea Pouring 
C 914 


Copyright, 1915, by Wallace Nutting 


484 
























Drying Apples 


C 429 




Is the Fire Ready? 


C 222 




A True D. A. R. 
A or S 232 


In Grandma’s Day 
A 401 


A Peep in the Mirror 
A 448 


Patience on a Chippendale 
A 349 




To Meet the Rector C 2499 




Maidenly Pleasures 
A 156 


A Friendly Reception 
A or C 142 



To Meet Papa C 2296 



St. John’s Church, Portsmouth, N. H. 
C 568 



Thanksgiving Goodies C 595 


Copyright, 1915, by Wallace Nutting 


485 
















A Sip of Tea 


C 551 


Morning Duties 


A or C 66 



Diligence C 259 A Southern Puritan C 2122 



The Way it Begins C 214 



A Morning Errand C 2143 



The Chopping Bowl C 960 


Copyright, 1915, by Wallace Nutting 


486 









A Fleck of Sunshine S, P or T 985 



At the Well, Sorrento Q, S or P 433 




Bean Porridge Hot 


C 591 


The Cup that Cheers 


A or C 7 2 



A Dilatory Escort 


C or E 772 


A Mother of the Revolution A, C or E 485 



Copyright, 1915, by Wall.4CE Nutting 


487 














The Last Word 
Q 1023 


Wistaria Gate 
02117 


A Corner in China 


A. C or E 1021 





An Old Time Gallant 
C 208 


The New Cap 
C 613 


The Swift C 687 



A Daughter of Eve 
C 631 



Nap Time Stories A, C, E or F 2511 Wallace Nutting 


Copyright, 1915, by Wallace Nutting 


488 













( 



Betty and her Basket C 227 



A Slow Fire C 961 



Afternoon Shadows C 486 


Going for the Doctor 


C 279 




Light Refreshments 


C 329 


The Tea Maid 


C 602 




Picture Paper 


C 302 



A Colonial Three Decker C 636 


Copyright, 1915. by Wallace Nutting 


489 











Cutting Biscuit 
C 226 


An Old Parlor Idyl 
C 127 



A Porch Tea 
C 2721 



Tea at Uncle Jonathan’s 
C 129 



Hesitancy 
C 231 



Choosing a Bonnet 
C 2627 



Front Door with 
Hinged Panel 
C 2653 



The Selection 
C 614 



Southbury Porch 
C 195 



A Salem Door 
C 180 



The Work Basket 
A 2736 



The Parson’s Gate 
A 96 



Pride 
C 744 



A Watched Pot 
C 223 



His Move 
C 236 



There’s Rosemary 
C 309 



Winding Among 
Yosemite Oaks 
C 877 



Early Mother Instinct 
A 623 


Copyright, 1915, by Wallace Nutting 


490 











La Jolla 


Q, S, C, O, P, E, T, G 22iO 


Wallace N'utting 


'I'he picture above shows the finest cliffs on the American coast. There are caves behind the great 
breakers. The cliff being hundreds of feet in height the waves are really high also. This beautiful 
marine is attractive especially when well understood. 

Copyright, 1915, by Wallace Nutting 601 










On the Heights 
Q. S or C 65 



The Restless Deep 


Q or C 660 



A Stone Churn 





Sea Ledges Q. S. C. O, P, T, G, H 240 Wallace Nutting 



















Tantallon Hold ’ A, C 5820 




Ilfracombe 




A Cypress by the Sea C 2280 


A Florida Sunrise 
A. 0 or S 1119 


The Way of the Sea C 2303 





Cypress Heights C or E 2276 


Copyright, 1915, by Wallace Nutting 


603 



Rivulets of Foam Q, S 2257 Wallace Nutting 



Ocean Eddies 


O, P or E 385 


Dutch Fishing Boats 


A, S 6514 




The Brook’s Mouth 
A, 0, S. O, P 5677 


A supplement to the Ma¬ 
rines will be issued in the 
course of the spring of 1915, 
showing various additional 
surf scenes. Buyers who re¬ 
quire such scenes are safe to 
order them for spring de- 
liver>\ The picture on this 
page called “The Brook’s 
Mouth’’ is on the North 
Devon coast, and is very at¬ 
tractive in wider forms also. 
Under the title “A Little 
Haven,’’ somewhat different, 
it is supplied in the C and E 
sizes long vertically. 



The Endless Battle S 407 


Copyright, 1915, by Wallace Nutting 


604 













Maine Surf 


O and W d 


Wallace Xuttins; 



Cetara C 4071 



Cypress Rocks 

Copyright, 191.s, by Wallace NifTTis'G 


Wallace Nutting 


C and E 2253 

605 






Vico Equesne S 4007 Wallace Nutting 



The Pergola, Amalfi A, C, E or F 480 


Wallace Nutting 


The Pergola at Amalfi is per¬ 
haps the best known Italian 
picture. It has been made by a 
multitude of artists, who usually 
have a person pose as a monk 
in the foreground. Mr. Nutting 
paid him to remove himself, be¬ 
cause he is no real monk and the 



.Amalfi C or E 47 


scene requires dignity without 
personality. It has been, and 
still is, one of the most popular 
subjects. “Vico Equesne,” at 
the top of the page, shows the 
streamers of smoke from Vesu¬ 
vius. It is on the south side of 
the Bay of Naples near Sorrento. 


Copyright, 191.S, by W.Ai.LACE Nutting 


606 






Spring in the Mountains A, C, E 4479 


MOUNTAINS 

The scene above, “Spring in the Mountains,” 
in this shape, and as a horizontal on page 653, is 
a charming combination of stream, bridge, foliage 
and mountain. It is made in North Italy near 
Lake Maggiori. “A New Hampshire Stream” 
shows the White Mountains in the distance and 
ought to be very popular with people who like 
the New England hills. “The Nestling Village” 
is in Lynmouth, on the north shore of Devon. 

Copyright, 1915. by Wallace N'ctting 


The Valiev of Wonder 


C 680 


C 4485 


.A New Hampshire Stream 


C 3469 


A Lakeside Belvidere 


A Nestling Village 


A, C 5680 








California Hill Tops 


C 866 


The Strength of the Hills C 787 


C 2468 


A Canon Stream 




Equinox Pond 


P 2621 



Copyright, 1915, by Wallace Xutting 


652 





The Tranquil Vale A, Q, S, O, P 6134 


The picture above is a wonderfully charming combination of stream and mountain, the 
boat in the mid-distance enhances the attraction. The peak in the central distance is 
Snowdon. The stream is the Glasslyn in South Wales, near the Vale of Festiniog. Wales 
is by all odds the most picturesque portion of Britain and Britain is the best of Europe. 
We have no less than 400 subjects made in Wales. 



A Como Promontory 


A, S, C 4461 



Spring Brookside 


S 4484 




Copyright, 1915, by Wallace Nutting 


653 



Spring’s First Green 


A, C, E, G 4463 


Wallace Xutting 


MOUNTAIN SCENERIES 

Men buy verj^ few pictures. They usually leave this attractive pastime to their wives, 
who do not care so much for mountains as for blossoms and figures. Nevertheless, year 
in and'year out, a mountain view is reposeful and inspiring and perhaps wears better than 
almost anything else. We lift up our eyes to the hills and get help. 

“ Skirting Lake Como ” shows a section of the highway just before entering a tunnel. 
It is a soft golden-orange day. 



The Old Rea Schoolhouse E 162 


Copyright, 1915, by W.allace Xutting 


654 




A Como Crest 


A C 4459 


Skirting Lake Como 


A, C 4370 





A Twilight River 


A, S 4745 


The Rhine at Drechenfels 


A. S 4875 


On the next page appears a most attractive view of Derwentwater. The reeds in the 
foreground with a ripple running through them and the soft clouds on the mountains, 
together with breadth of effect, can scarcely be surpassed as a mountain scene. We recom¬ 
mend this very highly, especially in the 0 and S sizes. 

On pages 655 and 656 appear the same subject, one made in the morning and one in the 
evening. The evening print gives rich golden twilight lights. “ The Long Look ” on 
page 656 is a magnificent sweep of a Vermont river without the natural clouds. If you 
wish to get natural clouds it is easy to do so, but when the sky is clear we paint in clouds 
as the scene seems to require. 

We do not show many scenes in the Yosemite, although we have more than seventy; 
especially there is one called “ The Valley of Wonder ” from Inspiration Point, in various 
sizes, which cannot fail to please. It is not illustrated here. There is also a view of the 
Yosemite Falls against Mercia showing a reflection of the fall in the river and the fine 
natural clouds. 



The Meandering Battenkill O or E 216 


Copyright, 1915, by Wallace Xl't^inU^ 


6.^.S 





El Capitan 
0 or C 725 


The Long Look 


Beneath the Yosemite 
Q 740 



The Windings of Undercliff 
E 79 


A Forest Portcullis 
E 2685 




Undercliff Drive E 76 



Derwentwater 


Q, S,P 5949 


Wallace Xutting 



Across the Meadows 


0 529 


Copyright, 1915, by Wallace Xutting 


656 

















A Warm Spring Day Q S, O, P, E, T 323 Wallace Nutting 

By far the most popular sheep picture ever made. It has been pirated and one pirate has 
even signed his name to it. Yet it continues to hold its place at the head. 




Under the Blossoms 


C 6 



Tranquility Farm S or C 860 



A Willow Pastoral 


S 732 


Pasture Dell 


S 257 


Copyright. 1915, by W.m.lace Xn i'jNr^ 


701 





Among the Rocks 


O 98 


Arlington Hills 


O 192 



Fording the Connecticut 


Wallace Nutting 



The Breakfast Hour 


Q or S 23i 


By the Wayside 


0 859 




The Life of the Golden Age 


S, O, P. T 321 


Under Cathedrals on page 359 will be found 
a beautiful aspect of Bolton Abbey, appearing 
in several sizes, with cows in the stream. 
Also on the same page is St. David’s Palace, 
taken in a pasture, with sheep. 

The following are not illustrated: C and E 
8055, “Salting the Sheep”—a fine merino sub¬ 
ject. “Feminine Curiosity” (C and E 8009), 
a spirited picture of Jerseys. “ Merinos ” 
(Q 8759) shows a line of Merino bucks. 


Copyright, 1915, by Wallace Nutting 


702 




A Genial Stream A, Q, S ,0, P 6283 Wallace Nutting 



Seeking the Shade 


A. S 6227 



Sheep at the Temple, Paestum 


A, S, T, G 4079 



The Herd in the Stream 


A, 0. O 6205 



On the Slope 


S or P 312 


Copyright. 1915, by Wallace Nut«NG 


703 






Marv’s Little Lamb 


A.C 5561 



A Favorite Corner 


A. C and E 8005 



Blossom Pasture 


O 46 



Not One of the Four Hundred C 2604 



Noblesse Oblige 


C 1857 



Wilburton Slopes 


C 3568 



The Meeting Place 


C, E and G 916 


Copyright, 1915, by Wallack Nutting 


704 











Seven Bridge Road 


C and E 8033 


The Arched Lane C 1726 Wallace Nutting 




Under the Sycamore Bough 
C 2308 


The Mystery of Curves 
E 71 


Royal Palm and Oak 
A. S or C 1117 




Cedar Lane. Ravello Q 4107 


A Gambrel Roofed Road 
P 80 


Old Ravello 


Q 4034 


/ V 

Copyright. 1915, by Wallace Nutting 


751 








Roadway Arches 


A, C 4748 


A Woodland 
Drive 
O 51 





The Villapte Manor 


The Curve 


Q, O 2706 




A Southern “ Watering Place ” 
A or S 2054 


Friendly Oak Anns Q 865 


In Mr. Nutting’s early picture making, roads were the iwincipal subjects; but in process 
of time it appeared that roads with blossoms, or birches, or cottages absorbed the greater 
part of this classification. The roads here shown, therefore, arc for the most part only 
such as have none of those features. They consist largely of elms, or oaks, or evergreens, 
and were made in many states of the Union. They include scenes all along the Atlantic 
and Pacific Coasts. 

The Seven Bridge Road on page 751 is the finest elm road to be found. It can no longer 
be photographed satisfactorily, as it has been straightened and trimmed until it has lost 
all artistic quality. “ The Southern Moss ” shown on pages 756 and 757, is very attrac¬ 
tive. There arc also live oaks and western forest scenes. For jDure art we recommend 
“ Cedar Lane ” on page 751. It would not, however, be so popular as the “ New Eng¬ 
land Road in May ” on page 754. 


Copyright, 1915, by W.\ll.\ce Xutting 


752 





The Pine by the Cleft E 56 



The Dell Road Wallace Nutting 

S 762 



Meadow Arches 


A. S. C. P, E. F, T, G 1328 


Wallace Xutting 


Copyright, 1915, by Wallace Xf i'iiRc 




A Xew England Road in May 


E 134 


Wallace Nutting 



A Connecticut Roadside Q 973 



A Mossy Drive A 82 



Over the Valley 


0 343 



A Great Wayside Oak Wallace Nutting 

A, C, E and F 608 


The Home Lane 


C 1412 


Wallace Nutting 


Copyright, 1915, by Wali.ace Nutting 


54 







A Sunkissed Way A. S. C, P. E. F, G, H and J 964 


Mossy Logs 


E 83 



A Forest Drive 
O 102 


Poplar Lane 
O 215 


A Sherborn October S 1730 



Eagle Cliff Drive 


E and H 1 


Wallace Nutting 


/Ob 


Copyright. 1915, by Wallace Xutmng. 






A Disappearing Curve A, C or E 887 



A Southern Highway 


C or E 1057 




The Sweep Under the Elms C 705 


Evergn'een Shadows 


C 450 


A Woodland Way 
A 901 



Shadows Athwart 


Wallace Nutting 


Copyright, 1915, by Wai.i.ack Nutting 


756 









A Minnewaska Road 


E 86 


Elm Drapery S, P or J 197 


A Vermont Road 


E, or VI lyv 



Oak and Resurrection Fern 
A, C or E 1123 


A Bridgewater Road C 858 


The Hill Road Oak C 2274 



A California Oak C 2212 


A Mountain Oak C 2311 


In the Big Timber C or J 2464 


757 


Copyright, 1915, by Wallace XuttikgX 





Snft Summer Shadows Wallace Nutting 

A, C and E 1725 


The Meeting of the Ways Wallace Xutting 

A and C 475 



A Mohonk Drive 
O or E 75 


The Turn Homeward C and E 406 Wallace Nutting 




Gethsemane 
C or E 44 



A Cedar Forest 
S or W 2463 


Autumn in Litchfield 
C 853 


Royal Palm Border 
A or C 632 


Copyright, 1915, by Wallace Nutting 


758 








Millside 


Q 6428 


From the Mountain 


Q 5681 


Plymouth Curves Q and 0 3775 




Plereford 


S 5838 

















The Calm of Twilight 


A. 0. S, C 6115 


On the Teith 


A. S 5957 




A, C 5679 


A Devon Brook 


The Upper Thames 


A. S 6277 



The River Meadow 


A. C. E 5654 


Up the Vale 



Copyright, 1915, by Wallace Xuttinc 


802 










The Upper Winooski 


C. E 3697 



The Walk under the Buttonwoods C, E and H 8080 



Under the Elm 


A, C 3757 


The Home Vale 


A,C 6403 




North Shore Marshes Wallace Nutting 

A. 0. S, C, O, P, E 870 


A Lane of Light 


C 1095 Wallace Nutting 


8()o 


Copyright, 1915, by W.mu.ace Nutting'*^ 








The River Valley 


A Barre Brook 


Q, C, O, P, E and J 3497 



Summer Wind 



Newton Meadows Wallace Nutting Spring in the Meadow Wallace Nutting 

0, S, O. P, E 1505 S 1439 


Copyright, 1915, by Wallace Nutting 


804 







Doune Bank 


A, C 5964 


Brook Grasses 


A 5627 



Pomperaug Banks Q 948 



Still Depths 
A 469 




Into the West 
Q 484 



Along the Pawtuxet 


Wallace Xutting 



Copyright. 1915, by Wallace Nutting 


805 







West River 0 3507 


\ 




The Cottage on the Floss S 1098 


An Oregon Stream 


S 2462 



Where Lilies Blow 


C 1202 


Southern Charm 


A or C 1125 



Pomperaug Water O or P 290 



Evening at the River Bend P or E 154 



Willow Arcade 


O 184 



A Pasture Stream 


P or E 288 


Copyright, 1915, by Wallace Xutting 


806 





The Foot of the Moorland 


A Little Dutch Cove 


A. C 58d2 



Up the Creek 


A 3029 


A Vermont River 


A and S 3551 



Golden Twilight 


0 544 



Sleepy Hollow Brook 
S or C 273 



Wilder Pond Q 166 



Inclining Palmettos Q, C, P or O 1070 


Oak Brook 


C or F 2442 


Copyright, 1915, by Wallace Nutt^'g _ 


807 









Slack Water S, O, P or W 268 Wallace Nutting 

(Also now furnished in T size) 


Lingering Waters Wallace Nutting 

A, Q, S, C, O, P. E 668 


In Tender Leaf Wallace Nutting 

A, 0. S, O. P, E. T 667 





Around the Bend 


Q 363 


River Curves 


0 or C 397 



Copyright, 1915, by Wallace Nutting 


808 










Florida Grace 
0 or C 1081 


Old England in 
New England 
A 601 

Westfield Water Q, C, E or J 1006 





Leaning Palmettos 
0 or C 1072 



Along Shore 
A 2707 



The Shade by 
the Brook 
A or C 1004 



Where the River Waits C or P 1013 



Shore Lights 
A 2537 



October on the River 


E 16 



The Manchester Battenkill 


E 210 


Copyright, 1915, by Wallace Nutting 


809 





The Swimming Pool 


Wallace Nutting 


0, S, C, O, P, E, G, H or W 220 



Sunset Fires 
0 2645 



Russet and Gold (Also in C size) 


E 43 



Elm and Bridge 
Q or C 540 



The Unbroken Flow 


E 228 


A Favorite Waterside 


E 342 


Copyright, 1915, by Wallace Nutting 


810 







Watersmeet C 481 




Soft Evening Lights C 153 



Rippling Into Silence A, Q or C 650 



Among Litchfield Hills E 326 


The Trout Brook 


O or E 219 




Paradise Valley Q or S "91 


Copyright, 1915, by Wallace Xlttixg 


cSll 




A Brook in Doubt 


E 253 


A Summer Stream 


E 15 





O 168 


The Broads of the Housatonic 


O 324 


Shore Acres 



O, P or J 256 


Between Cloud-crested Hills 


O 2665 


A Hint of September 



An Artist’s River A, Q, C, E or G 2562 


Copyright. 1915, by Wallace Nutting 


812 









Watersmeet 


E. F. G 167 


Wallace Nutting 


( 

s, 

f, 



On the Passumpsic 


C 1838 


Water scenes are probably next to blossoms and colonials in order of popularity. In 
the minds of many buyers they rank above the one or the other of the two last named. 
“Slack Water’’ (page 808) has had remarkable popularity in all sizes. The richness and 
softness of the lights and shadows give it an enduring charm. The two pictures below it 
are among the most beautiful of water subjects. That at the left has autumn tints and a 
vine in red running up the leaning tree. The other is in spring coloring, and the lights in 
the distance are very charming. 

“Westfield Water’’ (page 809), with the picturesque herring-bone effect of the ripples 
and the perspective reaching into the shadows, is one of the most delightful and restful 
scenes. “The Swimming Pool’’ (page 810), with its rich greens of foliage and water, has 
enjoyed an unslacking popularity for years. “Russet and Gold,’’ just below, with its 
vivid variety of fall hues, is perhaps the most striking of autumn subjects. More than 
one have preferred it above all other out-door subjects. 

Mr. Nutting’s recent European tour made splendid additions to the water subjects. 
“From the Mountain’’ (page 801), “The River Meadow’’ (page 802), “The Foot of the 
Moorland’’ (page 807), and “Lorna Doone Brook’’ (page 814), are among the most 
delightful of these. “On the Teith’’ (page 802) is a charming combination of water and 
pastoral subjects, —a beautiful Scotch river, with sheep feeding along the hills. 


Copyright. 1915, by Wallace Nutting 


813 





Fall Gowns 


C, S 3648 


Lorna Doone Brook 


A, C, E 5658 



A Berkshire Water Way C 71 8 



Broken Lights S or P 2 86 


Mid-May 



Water Maples C, E or J 50 


Copyright, 1015, by W.\u..\ce Nutting 


814 





E 207 


On the Perjuest River 


E 48 


A Mossy Stair 




Elm Brook 
Q or O 2575 


Lichen in the Glen 
O, P or E 200 


Above the Mill 
O 2698 


Purity O 81 



August in the Meadow O, P, E, G or T 70 Wallace Nutting 


Copyright, 1915, by Wallace XutIin6" 


815 









A Xew'ton October C 1702 


Wallace Nutting 


The Nashua Asleep C 1516 


Wallace Nutting 



Full Stream 



A Highland Brae 


A 610 


The Golden West 
A 147 




The Witching Hour 
A 1175 



The Sudbury in October Wallace Nutting 

C and E 1710 


Undulating Reflections A, Q, C, O, P or E 2016 


M 



Copyright, 1915, by Wallace Nutting 


816 






Sunset Palmettos 
0. C, P or E 1084 



The Pass 


C 2261 





Where Streams Converge 


P 121 


Early Summer 


P 186 




A Mystery Pool C 2316 



A Poet’s Brook 


C 2553 


Copyright, 1915, by Wallace Niitting—^ 


817 






A Western Creek 


C 2461 


Pine Landing 


A, Q, C or E 437 



C -■'806 


The Play of Branches 



Witch Water 
Q 282 


Copyright, 1915, by Wallace Nutting 




A Look Ahead S 447 



A Mountain Beck 


C 5805 



A Passumpsic Curve 


C 2670 








Style 487 

CALENDARS 

Any of our pictures can be placed on calendars to order. We add the price of making 
up the calendar to the price of the picture, thus a print like the above in the C size which 
retails at $2.50 is prepared to retail for $2.75 as a calendar. On the pages following will 
be found a few samples of styles illustrated, with various other styles described but not 
illustrated. 


Copyright, 1915, by W.all.ace Nutting 


901 















Style 487 (Previous page.) 

Outside mounting, 14 x 17. 

Any vertical picture, 8 x 10. 

Base, brown. 

Top, amber. 

Picture overla}’, cream; ribbon, brown. 
Price per dozen of 13, $33.00; each, $2.75. 
(Same price for all on this page.) 


Style 485 

Outside mounting, 14 x 17. 

Any vertical picture, 8x10. 

Base, white; overlay, green; tojj, white. 
Picture plate marked; ribbon, green. 
vSentiment pad; 

''May life flow like a river, 

With enough stones to make music 
And enough depth to bear treasure 
Of Friendship and Happiness." 


Style 483 

Outside mounting, 14 x 17. 

Any horizontal picture, 8 x 10. 

Base, white. 

Picture plate marked; ribbon white. 

Pad engraved: 

“ Alien good friends meet the hours are fleet, 
Till then slow rolls time's cumbrous car 
Whose dial is the calendar." 


Style 489 

Outside mounting, 14 x 17. 

Any vertical picture, 8 x 10, in plate mark. 

Base, white with India basket picture lining. 

White cord; pad: 

“ When good friends meet." (See style above.) 


Style 488 

Outside mounting, 14 x 17. 

Any horizontal picture, 8x 10, preferably autumnal, in plate mark. 
Base, amber. 

Top, cream; ribbon, brown. 

Sentiment; 

“ The soft south wind, the flowers amid the grass. 

The fragrant earth, the sweet sounds everywhere. 

Seem gifts too great almost for man to bear." 

WlLLI.\M MoKKIS. 


Coin-right, by W.*lL1..\ce Xutti.ng 


902 




- ^ 



Style 466 0 picture 


Style 466 

Outside mounting, 9 x 17. 

Any picture, 4 x 10. 

Base, white. 

Overlay, gray. 

Top, white. 

Ribbon, white. 

Price per dozen of 13, $20.00; $1.75 
each. 


I 

m 



Style 478-S pictvire 


style 478 

Outside mounting, 11 x 17. 

Any picture, 6 x 10. 

Base, white 
Overlay, white. 

Top, white. 

Ribbon, pink. 

Price per dozen of 13, $25.00; $2.25 
each. 


903 


C<ipyriKht. 191.\ by W.^u..\cE Nutting 












Style 461 

Same as Style 466, except blue overlay and “ Calendar 1916 ” 
pad. 

Style 462 

Same mounting as Style 466, with buff overla}'. 

Style 463 

Outside mounting, 9x17. 

Any vertical picture, 4x 10. 

Base, mottled blue; overlay, light blue. 

Top, white; ribbon, light blue. 

Engraved on pad: 

“A Smiling Spring, 

Happy Summer, Fruitful Autumn, 

And Winter of Contents 
Price per dozen of 13, $20.00; each, $1.75. 

Style 469 

Same mounting as Style 461, with green o\'crlay, and small 
size pad. 

Style 465 

Same mounting as Style 466, except sentiment: 

“A Smiling Spring, 

Happy Summer, Fruitful Autumn, 

And Winter of Content." 

Engraved on pad; ribbon pink. 

Style 476 

Outside mounting, 11 x 17. 

Any vertical picture, 6 x 10. 

Base, gray. 

Top, white; ribbon, pink. 

Sentiment on pad; 

“ When good friends meet the hours are fleet. 

Till then slow rolls time’s cumbrous car 
Whose dial is the calendar." 

Price per dozen of 13, $25.00; each, $2.25. 

Style 472 

Outside mounting, 11 x 17. 

Any vertical picture, 6x10. 

Base, brown. 

Top, cream. 

Picture lining, cream; ribbon, yellow. 

Sentiment engraved on pad: 

“A Smiling Spring, 

Happy Summer, Fruitfid Autumn, 

And Winter of Content." 

Price per dozen of 13, $20.00; each, $1.75. 

Style 473 

Same mounting as Style 478, except sentiment pad engraved: 

“ May life flow like a river. 

With enough stones to make music 
And enough depth to bear treasure 
Of Friendship and Happiness." 


Copyright, 1915, by W.allace Xutting 


904 



Style 458 


Style 456 


Style 458 

Outside mounting, 11 x 17. 
Any vertical picture, 5x7. 
Base, white. 

Overlay, cream. 

Top, white. 

Ribbon, yellow. 

Price per dozen of 15, $16.00. 


Style 456 

Outside mounting, 11 x 17. 

Only vertical blossom pictures, 5x7 
Base, white. 

Overlay, blue. 

Top, white. 

Ribbon, white. 

Price per dozen of 13, $16.00. 


Style 457 

Same mounting as style 456. 

Only vertical blossom pictures, 5x7. 
Sentiment: 

“ Finn-rooted as an apple tree." 

Price per dozen of 13, $16.00. 


Copyright, 1915, by W.\llace Nutting 


905 



















style 451 

Outside mounting, 11 x 17. 

Any picture, 5x7. 

Base, mottled blue; overlay, light blue. 

Top, white; ribbon, blue; sentiment: 

“/ would send you richest blessings, 
I would keep you from all ill, 

1 would give you life's best portion. 
Were the power mine to fulfill." 

Price per dozen of 13, $16.00. 


Style 452 

Outside mounting, 11 x 17. 

Any vertical Castle picture, 5x7. 

Base, mottled blue; overlay, light blue. 

Top, white; ribbon, white; sentiment: 

“ Our love is like a castle old, 

Whose wall defies the wreck of years, 

And graced by ivy’s mantling fold. 

In nobler beauty still appears." 

Price per dozen of 13, $16.00 

Style 455 

Outside mounting, 10 x 14. 

Any horizontal picture, 5x7. 

Base, white; top, white. 

Picture overlay, white; ribbon, pink; sentiment: 

"Thanks to the human heart by which we live, 
Thanks to its tenderness, its joys, and fears — 

To me the meanest flower that blows can give 
Thoughts that do often lie too deep for tears." 

Price per dozen of 13, $16.00. 

Style 460 

Outside mounting, $3^2 x 14. 

Any vertical picture, 5x7. 

Base, white; top, white; ribbon, white; .sentiment pad: 

“A year of hope. 

Weeks of progress. 

Days of peace." 

Price per dozen of 13, $16.00. 


Copyright, 1915, by Wall.ace Xutting 


900 



Style 354 



Style 399 


Style 354 

Outside mounting, 8^2 x 14. 
Any horizontal idcturc, 4x6. 
Base, white. 

Overlay, heliotrope. 

Top, white. 

Pieture overlay, heliotro])e. 
Ribbon, white. 

Price ])er dozen of 13, $12.00. 


Style 399 

Outside mounting, 73/2 x l-l- 
Any vertical picture, 4x6. 
Base, white. 

Overlay, green. 

Top, white. 

Ribbon, green. 

Price per dozen of 13, $12.00. 


Copyright. 1915, l)y W.\i.i..\CE Nutting 


907 















style 353 

Outside mounting, x 14. 

Any vertical picture, 4x6. 

Base, mottled blue; overlay, light blue. 

Top, white; ribbon, blue; engraved sentiment: 

''Good health, some wealth, 

Good luck, much pluck. 

Good fun, race won. 

For you to-day." 

Price per dozen of 13, $12.00. 


Style 355 

Outside mounting, SjA x 14. 

Any horizontal picture, 4x6. 

Base, light blue; overlay, cream; top, white. 

Picture overlay, cream; ribbon, blue; engraved sentiment: 
"True Friendship. 

Those ties are sweet whose strength we keep 
By daily converse with a friend — 

That friendship has a greater deep 

Which space and silence cannot end." 

Price per dozen of 13, $12.00. 


Style 360 

Outside mounting, x 14. 

Any vertical colonial picture, 4x6. 

Base, tea color; overlay, buff. 

Top, tea color; 18-inch gray cord; sentiment: 

"My Ghristmas wish for you : At the close 
of every day's work a welcoming home and the 
joys of friendship. And I ask you to keep 
a little cosy corner in your heart for me." 

Price per dozen of 13, $12.00. 


Copyright, 1915, by Wall.\ce Xutting 


908 



style 285 Style 264 


Style 285 

Outside mounting, 73/2 x 14. 
Vertical Blossom pictures, 3 x 6^. 
Base, white. 

Overlay, gray. 

Top, white. 

Ribbon, pink. 

Price per dozen of 13, $9.00; 
$0.75 each. 


Style 264 

Outside mounting, 73^ x 14. 
Vertical Colonial pictures, 3 x 6^. 
Base, gray. 

Overlay, white. 

Top, gray. 

Ribbon, white. 

Price per dozen of 13, $9.00; 
$0.75 each. 


Copyright. 1915, by Wallace Nutting 


909 























Style 260 


Style 260 

Outside mounting, 14. 

Any horizontal picture, 3 x 6^. 
Base, green. 

Top, white linen. 

Picture base, green. 

Picture overlay, white. 

Ribbon, white. 

Price per dozen of 13, $9.00; 
$0.75 each. 

Style 261 

Outside mounting, 83^x 14. 

Any horizontal picture, 3 x 6^. 
Base, white. 

Overlay, blue. 

Top, white. 

Picture overlay, white. 

Ribbon, white. 

Sentiment; ‘ ‘ Greeting. 

Price per dozen of 13, $9.00; 
$0.75 each. 







, L’ 1 1 3 11 ; I 

'V'; ‘ 


Style 261 

Style 262 

Outside mounting, Hj/^x 14. 

Any horizontal picture, 3 x 6^. 
Base, white. 

Overlay, green. 

Top, white. 

Picture overlay, white. 

Ribbon, green. 

Sentiment: “ Your Best," etc. 
Price per dozen of 13, $9.00; 
$0.75 each. 

Style 269 

Outside mounting, 5 x 16. 

Any vertical picture, 3 x 6^. 
Base, white. 

Top, white. 

Ribbon, pink. 

Sentiment; "Greeting"; same as 
Style 261. 

Price per dozen of 13, $9.00; 
$0.75 each. 


Copyright, 1915, by Wall.-vce Nutting 


910 






















Style 123 





Style 144 







Style 123 

Outside mounting, 5 x 12. 

Vertical Birch pictures only, 23^9 ^ 5. 
Base, white. 

Overlay, green. 

Top, white; ribbon, green. 

Style 144 

Outside mounting, 5x12. 

Vertical Blossom pictures only, 

23 ^ X 5. 

Base, white. 

Overlay, heliotrope. I 

Top, white; ribbon, white. ! 

Price of all on this page, per dozen of 12 


Style 104 

Outside mounting, 5x12. 

Any vertical picture, 33^ x 4. 

Base, cream, overlapping at top. 
Top, white; ribbon, yellow. 
Sentiment: “ Good health , some 
wealth," etc. 

Style 108 

Outside mounting, 5x 12. 

Any vertical picture, 23/^ x 5. 

Base, green, overlapping at top. 

Top, white; ribbon, green. 
Sentiment: "All the year," etc. 
y, s86.()0. Not less than ]/i dozen sold. 


Copyright, 1915, by W.\li.ace Nutting 


911 






























Style 164 Style 150 


Style 164 

Outside mounting, 5x12. 

Any vertical ])icture, 3)^ x 4. 

Base, white. 

Overlay, lavender. 

Top, white. 

Lavender cord. 

All Calendars are sold in white 
glazed boxes. 

Price per dozen of 12 only, $6.00. 
Not less than }/i dozen sold. 


Style 155 

Same mounting as 150; Figures only. 
Sentiment: “My Christmas wish for 
you," etc. 

Base, white. 

Overlay, gold. 

Top, white. 

Ribbon, white. 

Price per dozen of 12 only, $6.00. 
Not less than f/f dozen sold. 


Style 150 

Outside mounting, x 12. 

Any vertical picture, x 4. 
Base, white; overlay, gold. 

Top, white; ribbon, white. 

Price per dozen of 12 only, $6.00. 
Not less than dozen sold. 


CopyriKht, 1915, by W.\ll.\ce Xutting 


912 






















Style 153 

Same as vStyle 179, excej)! it has a plate mark instead of picture lininjj. Sentiment, 
same as Stvle 164. 


Style 163 

Same as vStyle 179, except with plate mark instead of picture lining, and sentiment: 

“ A Beautiful Year 
Sunsets as red as a lassie's lips, 

And dawns as limpid as her eyes. 

With brooks that ripple like her laugh. 

These joys may all your year comprise." 

Price per dozen of 12 only, $6.()(). Not less than K dozen sold. 


Style 169 

Same mounting as Style 179, except ribbon is Dresden. Sentiment: 
“ Firm rooted as an apple tree 
True friendships always are, 

And the fragrance of their blossoms 
May be scented from afar." 

Price per dozen of 12 only, $6.00. Not less than ]4 dozen .sold. 

Style 121 

Same as Style 136, exce^^t picture, 3]^ x 4, and sentiment: 

“ True Friendship 

Those ties are sweet whose strength we keep 
By daily converse with a f riend — 

That friendship has a greater deep 
Which space and silence cannot end." 

Price per dozen of 12 only, $ 6 . 00 . Not less than 34 dozen sold. 


THE COURAGE OF CONVICTION 

We are the first jjeople to dare to mount calendars in plain white or delicate shades. 
Hitherto it has been said that customers wanted strong colors. We knew that such colors 
were not in good taste. We have proved that the public arc eager to procure calendars 
mounted quietly but richly. 


ENGRAVED SENTIMENT 

There is no printing whatever on any of our special goods. Everything is in the copper 
or steel plate — the sentiments, the calendar pads and everything else. 

This idea is original with us. Printing below one of our dainty pictures is inappro¬ 
priate. 

Undoubtedly our line of small goods is far more beautiful than anything hitherto offered. 
Dealers almost invariably sell out quickly. We do not press sales in this department. 


Copyright. 1915, by Wai.i..\ce N’i'TTInc 


913 



»*«»! niti^ p/itrt*. 

AruS plrtitg tif »•n^ 

A l(<':irt «*f ^-.nfrw^K »«» fnrt 

Xi»»N w«l}ntn«i*r r.'Miiitn ft(*fr 





Style 179 


Style 136 


Style 179 

Outside mounting, 63/9 x 12. 

Any horizontal picture, 33/4 x 4. 
Base, white. 

Overlay, gra}*. 

Top, white. 

Picture lining, white. 

Ribbon, pink. 

Price per dozen of 12 only, $6.00. 
Not less than 3/4 dozen sold. 


Style 136 

Outside mounting, 63^ x 12. 

Any horizontal picture, 23/^ x 5. 
Base, white. 

Overlay, yellow. 

Top, white. 

Picture lining, white. 

Ribbon, yellow. 

Price per dozen of 12 only, $6.00. 
Not less than 3/4 dozen sold. 


Copyright, 191.S, by Wall.\ce Nutting 


914 
























»X./.... ./~//.^./., 

■i...A/4./^^ I-....//./:../.. 


^ V:) 

f' . ■a.-unuiu 


Style 156 


style 156 

Outside mounting, 63^ x 12. 

Any vertical picture, 33<4 x 4. 
Base, white. 

Overlay, green. 

Top, white. 

Calendar pad lining, green. 
Ribbon, white. 

Price per dozen of 12 only, $6.00. 
Not less than ]/i dozen sold. 



Style 172 


Style 172 

Outside mounting, 63^^ x 12. 
Horizontal Castle pictures only, 
33<^x4. 

Base, mottled green. 

Overlay, green. 

Top, white. 

Ribbon, green. 

Price per dozen of 12 only, $6.00. 
Not less than 3<4 dozen sold. 


Copyright, 1915, by Wall.^ce Nutting 


915 
























Style 437, B picture Style 403, B picture Style 40.3, B picture 


Style 437 

()utside mounting, 3-)^ x 11. 

Any vertical picture, 1)4 ^ -I- 
Base, white. 

Overlay, blue. 

Top, white. 

Ribbon, white. 

Brice per dozen of 12 only, $4.00. 
Not less than )4 dozen sold. 


Style 403 

Outside mounting, 5 x 10. 

Any horizontal picture, 2 x 3. 

Base, buff. 

Top, white. 

Ribbon, white. 

Price per dozen of 12 only, $4.00. 
Not less than Yi dozen sold. 


Style 405 


Outside mounting, 3)4 x 11. 
Any vertical picture, 2 x ,1. 
Base, white. 


Cord, yellow. 

Price per dozen of 12 only, $4.00. 
Not less than Yi dozen sold. 


CujiyriKht, 191.=i, by W.m.l.'iCE Nutting 


916 













Style 401 

Outside mount, 5 x 10. 

Any horizontal blossom or landscape 
picture, 2x3. 

Base, mottled j.jrcen. 

Top, white; ribbon, j^reen; engraved 
sentiment: 

"All the year," etc. 

Price per dozen of 12 only, S4.()(). 
Not less than Yi dozen sold. 

Style 407 

Outside mounting, 5x10. 

Any horizontal colonial picture, 2x3. 
Base, mottled green; overlay, green. 
Top, white; ribbon, green; engraved 
sentiment: 

"At our Door and on our Settle there 
is Welcome for you." 

Price per dozen of 12 only, S4.00. 
Not less than Y dozen sold. 

Style 412 

Outside mounting, 3^ x 11. 

Any vertical picture, 13 / 2 ^ 4 . 

Base, cream; top. white. 

Picture lining cream; white ribbon 
loop. 

Engraved sentiment: 

"Let our Friendships." 

Price per dozen of 12 only, S4.00. 
Not less than Yl dozen sold. 


Style 415 

Outside mounting, 5 x 10. 

Any horizontal ])icturc, 2 x 3. 

Base, light blue; tojx white; ribbon, 
white; engraved sentiment: 

"Every Day." 

Price per dozen of 12 only, S4.()(). 
Not less than Yl dozen sold. 

Style 428 

Outside movmting, 5 x 10. 

Any vertical picture, 2x3. 

Base, white; red and gold bordered 
overlay for picture. 

Ribbon loop, white; sentiment pad 
engraved: 

“ May many joys." 

Price per dozen of 12 only, S4.00. 
Not le.ss than Yl dozen sold. 


Style 429 

Outside mounting, 3^ x 11. 

Any vertical picture, 13^ x 4. 

Back, gray; top, white; picture over¬ 
lay, gray. 

Ribbon loop, pink; engraved senti¬ 
ment : 

"Let our Friendships." 

Price per dozen of 12 only, S4.00. 
Not less than Yl dozen sold. 


OTHER STYLES 

Any sentiment will be used to order if the customer defrays cost of engra\’ing or sends 
a plate, which should be of large size. No other extra charge will be made on an order for 
a gross. Of course the sentiment must only occupy such s]3acc as is available on the style. 


CALENDARS BY FREIGHT 

We recommend that all calendar orders of any size be sent by freight. They are bulky 
because every one is in its particular box. Allow from one week to two months for the 
shipment to reach you, as freights are slow. Order in the winter or spring because only 
on early orders are we sure to be able to ship the cheajjest way, and if the present increase 
in the business continues, fall orders will be almost imjjossiblc to fill in full. 


THE PRICE OF CALENDARS 

We do not urge orders on small calendars as there is no margin of profit for us in selling 
them. We can make chea]3er calendars, but not for the j^rice. Every print is in platinum 
and all are wholly colored by hand. 


Copyright, 1915, by W.\i.L.\CE N’utti.n'c; 


917 


Style 404 

Outside mounting, 5x10. 

Any vertical picture, 2x3, in plate 
mark. 

Base, white; overlay, light blue. 

Top, white; ribbon, blue; no senti¬ 
ment. 

Price S4.00 per dozen of 12. 

Not less than Yi dozen sold. 

Style 134 

Outside mounting, 5 x 10. 

Any vertical picture, lYl x 5, in plate 
mark. 

Base, lavender; top, white; ribbon, 
white; no sentiment. 

Price $6.00 per dozen of 12. 

Not less than Y dozen sold. 

Style 124 

Outside mounting, 63^ x 12. 

Any vertical picture, ?>Y ^ ■!> plate 
mark. 

Base, buff; top, white; ribbon, white; 
no sentiment. 

Price per dozen of 12, $6.00. 

Not less than Y dozen sold. 

Style 284 

Outside mounting, 73^ x 14. 

Any vertical picture, 3 x 6^, in plate 
mark. 

Base, white; overlay, gray; top, 
white. 

Ribbon, pink; no sentiment. 

Price per dozen of 13, $9.00. 


Style 394 

Outside mounting, 73^ x 14. 

Any vertical picture, 4x6, in plate 
mark. 

Base, green; top, white; ribbon, 
green; no sentiment. 

Price per dozen of 13, $12.00. 


Style 398 

Outside mounting, 83^ x 14. 

Any vertical picture, 4 x 6, in jdate 
mark. 

Base, white; overlay, cream; top, 
white. 

Ribbon, yellow; engraved sentiment: 

“ Every Day 
When your eyes rest here 
Remember the love and loyalty 
and kind good wishes 
of one among 
yotir host of friends." 

Price per dozen of 13, $12.00. 


Style 454 

Outside mounting 11x17. 

Any horizontal picture, 5x7, on 
cream overlay. 

Base, white; overlay, cream; top, 
white. 

Ribbon, yellow; engraved sentiment, 
same as style above. 

Price per dozen of 13, $16.00. 


PLEASE OBSERVE 

Above, the five styles listed first have no sentiment. The calendar pad cover is 
engraved as in other stjdes. 


PLEASE DON’T BE ORIGINAL 

In respect to asking variations from the above styles buyers get into all sorts of vexa¬ 
tious difficulties and delays. Our styles in many cases are designed with sentiments to 
match a certain class of pictures. For instance, the styles “ for birches only ” cannot be 
used for other sorts of pictures. The verses only have meaning for birches. We have 
given this matter long and minute attention, and while we know other good styles could 
be designed we give enough for the utmost variety required by the largest buyer. 

Another error buyers often make is in ordering picture numbers that are long vertically 
to be placed on styles designed for pictures that are long horizontally. It is obvioush' 
impossible to fill such an order. If the catalog is closely followed greater satisfaction will 
be given. 


Copyright, 1915, by Wall.\ce Nutting 


918 



Style 419 Style 25 Style 410 Style 15 Style 414 


Style 25 

Outside mounting, 5x9. 

Any picture, 33^ x 4, mounted in 
plate mark on engraved white 
card, enclosed as shown above. 
Price per dozen of 13, $6.00. 


Style 15 

Outside mounting, 5x9. 

Any picture, 33^ x 4, mounted in 
plate mark on engraved white card, 
enclosed as shown above. 

Price per dozen of 13, $6.00. 


Style 419 

Outside mounting, 23^ x 73^. 
Blossom picture, \}/2 x 4, mounted 
on green-and-gold-bordered card, 
enclosed as shown above. 

Price per dozen of 13, $3.60. 


Copyright, 1915, by W.^ll.\ce N'utti.vg 


951 



















Style 410 

Outside mounting lYi 

Any landscape picture 1^x4, mounted on engraved white 
card enclosed as Style 419. 

Price jjer dozen of 13, $3.60. 


Style 425 

Same as Style 410, except sentiment: 

“ .4 Friendship that lasts 
Is a continual Thanksgiving." 
Any picture, x 4. 


Style 414 

Same as Style 419, except sentiment: 

"An Easter Pledge." 


Style 427 

Same as Style 410, except sentiment: 

“ Let our friendships 
Be, not a pastime, 
But a prayer; 

Not for time. 

But for eternity." 


Style 436 

Same as Style 410, except sentiment: 

"In the Spring 
.4 young man’s fancy 
Lightly turns 
To thotights of Love." 

Tennyson. 

Booklet, Style 82 

Outside 5 x (A/f. 

Any horizontal A/f x 4 picture. 

Base, light blue. 

Picture overlay, white; ribbon, blue. 

Engraved insert: 

“ On Christmas night 
The stars shine bright; 

On Christmas morn 
The Christ is born; 

A Christmas year! 

God's peace be near! " 
Price per dozen of 12, $6.00. 


Copyright, 1915, by Wallace Nutting 


952 


Style 438 

Same 


Style 435 

Same 


Style 432 

Same 


as Style 410, except sentiment: 

"'Happy thoughts be yours 
Till twilight conies, 

Then happy dreams 
Till dawn! ” 

as Style 410, except sentiment: 

"Sweet day, so cool. 

So calm, so bright. 

The bridal of 
The earth and sky." 

Herbert. 

as Style 410, except sentiment: 

"How dear to my Heart," etc. 


Style 42 

Same as Style 25, except sentiment: 


"Life's Mirror. 

Look for goodness look for gladness. 
You shall meet them all the while; 

If you bring a smiling visage 
To the glass, you meet a smile!" 

Alice C.arv. 


Style 48 

Same as Style 25, except sentiment: 

“.4 Christmas Aspiration. 

To hold dearest the worthiest 
To seek only what will last 
To know the best is yet unfolding 
And we shall see it in its glory." 

Style 83 

Same as Style 25, except: 

Blossom picture, mounted on green and gold bordered card. Sentiment 

"An Easter Greeting. 

There are some plants which 
Bear blossoms and fruit all the year. 

I hope that may be your experience." 

Style 506 

White Invitation Card, 3^ x 5^, which reads: 

"M - Requests the pleasure of your company," etc. 

Enclosed in envelopes. Price, $5.00 per hundred. 


Style 512 

White Gift Card, x 5%, which reads: 

"My dear friend: 

I am sending you a gift appropriate to this glad and hopeful season, 
a Wallace Nutting picture. 

May its brightness help to cheer you through any sad or sombre days, 
and to enhance your pleasure when all goes well." 

Enclosed in envelopes. Price $5.00 per hundred. 


Copyright, 1915 , by Wall.\ce Nutting 


953 



Style 46 

Same as Style 25, except sentiment: 
‘'Greeting * 

1 wish you comfort, joy and peace. 
And plenty of love and laughter: 

.4 heart of courage to face the world. 
And 'whatever is coming after." 

M. W. E. 


Style 10 

Same as Style 25, exccjjt sentiment 
\"ertical Birch ]jictiircs only, lYi x 5 
Sentiment: 

"Silver White 

As the birches light the woodland 
Or o'ver the brookside bend. 

So through the year are interspersed 
Bright memories of my f riend." 


Style 4 

Same as Style 25, except sentiment. 
Any vertical picture, lYi ^ 
Sentiment: 

“ To My Mother 
The joy be yours 
Of reaping the rich fruit 
Of many years of hope and prayer 
In the life you ha'oe brought 
Into the world." 


Style 29 

Same as Style 25, except sentiment. 
\"ertical blossom or Landsca])e pic¬ 
ture, 2}/2X 5. 

Sentiment; 

"Easter 

Forms of beauty and hope 
Hid under snow and sod; 

Ye heard the call of Love 

And trembled upward to God I ” 


Style 11 

Same as Style 25, except sentiment. 
Colonial pictures, 3}/^ x 4. 

Sentiment; 

"Stay, stay at home my heart and rest, 
Home keeping hearts are happiest; 

For they who wander they know not where. 
Are full of sorrow and fidl of care. 

To stay at home is best." 

Longfellow. 


Style 21 

vSame as Style 10, cxcejjt picture size. 

Picture, 3}/^ x 4. 

Style 31 

Same as Style 25, exce]:)t sentiment. 

Colonial picture, 3ff x 4. 

Sentiment: 

"My Christmas wish for you: At the 
close of every day's work a welcoming 
home and the joys of friendship; 
and 1 ask you to keep a little cosy 
corner in your heart for me." 


Style 80 

Congratulation booklet. 

Outside mounting, 4x8. 

Any vertical colonial picture, 2}/2\ 5 
on first page in plate mark. 

Base, white. 

Engraved sentiment on cover. 
Sentiment: 

‘ ‘ Congratulations 

Two souls with but a single thought, 
Two hearts that beat as one." 

Enclosed in white glazed box. Price 
S6.00 per dozen of 13; not le.ss 
than 34 dozen sold. 


Copyright, 1915, by W.^i.i.ace Nutting 


9.54 







Where “ framing onh^ ” or “frames only’’ is not specified, the prices include pictures 
and frames. 


1, B size 

per gross, gilt 

(5 X 7), 

$125.00, 

not less than W gross. 

1, D “ 

“ 

(7x 9), 

166.00, 

< i 

“ “ M “ 

1, K “ 

“ dozen, “ 

(8x12), 

19.80, 

i ( 

“ 1 dozen. 

1, R “ 

“ “ “ 

(lOx 12), 

21.60, 

( ( 

“ “ 1 “ 

2, R “ 

“ “ green and gilt 

(lOx 12), 

21.60, 

i ( 

“ “ 1 “ 

3, R “ 

“ “ gilt 

(10 X 12), 

21.60, 

(( 

“ “ 1 “ 

3, A “ 

“ “ “ framing only 

(11 X 14), 

12.00, 

< ( 

“ 7 pictures. 

3, A “ 

“ frames only (no glass) (11 x 14), $6.60, 

not less than 1 dozen. 


Copyright, 1915, by Wall.^ce Nutting 


975 




































(7 X 9), 127.00, 
(7 x 9), 138.00, 
(8x12), 16.80, 

(10x12), 18.00, 


M “ 

M “ 

1 dozen. 
1 “ 


Frame 4, B size per gross, mahoganized (5 x 7), $90.00, not less than 34 gross. 

4, D 

5, D “ “ “ gilt 
5, K “ “ dozen, “ 

5, R 
5, A 

5, A 

6, R 
6, A 
6, A 


“ for framing only (11 x 14), $10.80, not less than 7 pictures, 
frames only (no glass), gilt (11 x 14), $5.40, not less than 1 dozen, 
gold (10 X 12), $26.00, not less than 1 dozen. 

“ for framing only (11 x 14), $24.00, not less than 7 pictures, 
frames only (no glass), gold (11 x 14), $15.00, not less than 1 doz. 


Copynyht, 1915, by W.\ll.\ce Xutting 


976 






































Frame 7, D size per gross, gold (7 x 9), $130.00, not less than gross. 


7, K “ 

“ dozen, “ (8 x 12), 26.00 ‘ 

t n n 

1 1 dozen. 


7, R “ 

“ “ “ (10x 12), 28.00, ‘ 

i 

1 “ 


7, R “ 

“ “ frames only (no glas.s), gold (10 x 12), $15.00, not less than 1 doz. 

7, A “ 

“ “ for framing only, “ 

(llx 14), 

24.00, “ “ 

“ 7 piet. 

7, A “ 

“ “ frames only (no glass), “ 

(llx 14), 

15.00, “ “ 

“ 1 doz. 

8, A “ 

“ “ for framing only, gilt 

(llx 14), 

11.00, “ “ 

“ 7 pict. 

8, A “ 

“ “ frames only (no glass), “ 

(llx 14), 

5.40, “ “ 

“ 1 doz. 


Copyright, 1915, by Wall.\ce Nutting 


977 






































Frame 9, Q size per doz., mahogany, for framing only (11x17), $20. not less than 7 pietures. 


9,Q “ “ 

“ gold, “ “ “ (11X 17), 

20. “ “ 

“ 7 

9, Q “ “ 

“ “ frames only (no glass) (11x17), 

14. “ “ 

“ 1 doz. 

9, vS “ “ 

“ “ or mall, for fram. only (13 x 17). 

21. “ 

“ 7 pictures. 

9, C “ “ 

“ “ “ “ “ “ “(14x17), 

22. “ “ 

“ 7 “ 

10, A “ “ 

“ mahogany, for framing only (11x14), 

15. “ “ 

“ 7 “ 

10, A “ “ 

“ “ frames only (no glass) (11x14), 

11. “ “ 

“ 1 doz. 

10, Q “ “ 

“ “ for framing only (11x17), 

17. “ “ 

“ 7 pictures. 

10, Q “ “ 

“ “ frames only (no glass) (11 x 17), 

12. “ “ 

“ 1 doz. 

10, SorC “ “ 

“ “ for framing only (13 or 14 x 17), 

18. “ “ 

“ 7 pictures. 

11, C “ “ 

‘ ‘ gold or mah. for framing only (14 x 17) , 

33. “ “ 

“ 7 pictures. 

11,0 “ “ 

“ “ “ “ “ “ “ (13x22), 

38. “ “ 

“ 7 pictures. 


Copyright, 1915, by Wallace Nutting 


978 













































Frame 12, 
12 , 
12 , 
12 , 
13, 
13, 
13, 

13, 

14, 
14, 

14, 

15, 
15, 

15, 

16, 
16, 
16, 
16, 
16, 
16, 
16, 
17, 
17, 
17, 


B size per gross, mahoganized 
dozen. 


gross, mall, veneer 


dozen 


(5 X 7) in. wide) 583.333/^, not less than gross. 
(7 X 9) (M “ “ ) 120.00 “ “ “ M “ 

(8x 12) (3^ “ “ ) 15.00 “ “ “ 1 dozen. 

(10 X 12) (3^ “ “ ) 16.80 . 1 “ 

(5 X 7) {% “ “ ) 90.00 “ “ “ M gross. 

(7x 9) “ “ ) 127.20 “ “ “ M “ 

(8x 12) (3^ “ “ ) 16.00 “ “ “ 1 dozen. 

(10 X 12) (M “ “ ) 18.00 . 1 


green and gilt, for framing only (11 x 14) (3^ in. wide) S9.00 not less than 7^pict. 


) 11.00 


(llxl7)(^' 

S or C size per dozen, green and gilt, for framing only (13 or 14 x 17) {% or 1 in. wide) $12.00 
not less than 7 pictures. 

A size per dozen, gilt, for framing only (11 x 14) (1 in. wide) S45.00 not less than 7 pictures. 

Q “ “ “ “ “ “ “ (llxl7)(l “ “ ) 45.00 “ “ “ 7 

S or C size per dozen, gilt, for framing only (13 or 14 x 17) (13^ in. wide) $55.00 not less than 7 p. 
A size per dozen, mah. veneer, for framing only (11 x 14) (3^ in. wide) $12. not less than 7 pict. 

Q “ “ “ (11 x 17) (H “ “ ) 14.. 7 “ 

SorC size per doz., mah. veneer, for framing only (13 or 14x 17) (3^ in. wide) $15. not less than 7 p. 
O size per dozen, mah. veneer, for framing only (13 x 22) (1 in. wide) $20. not less than 7 pict. 

P " “ “ “ “ .. (15x22) (I3^r‘ “ ) .. “ '■ 

(18 X 22) (13^ “ “ ) 

(22 x 28) (2 “ “ ) 

(18 x 22) ( 234 “ “ ) 

(22 x 28) (234“ “ ) 

(26x 30) (234 “ “ ) 


per dozen, gold. 


24. . 7 

25. “ “ “7 “ 

3. ea. including boxing. 
60. not less than 7 pict. 

6. ea. including boxing. 
8. ea. “ “ 


Copyright, 1915, by Wai-LACK .\utting 


979 





























































































PLAIN MOUNTED PICTURES, B, D, K, R SIZES 

These sizes are sold signed, not titled, thirteen for the price of twelve. Prices on page 
5, at bottom. 


SUGGESTIONS FOR FRAMING 

The frames of which we sell great quantities are in the sizes B, D, K and R. These 
sizes are not titled, but are signed. Frame No. 12 is the simplest sort of a narrow round- 
edge mahogany finish and the lowest price. No. 13 is a flat surface, handsome, light veneer, 
which, while it is called mahogany looks more like Circassian walnut. This is very taste¬ 
ful and attractive, but costs a little more. 

The larger sizes, A to E inclusive, are our regular line of signed and titled sheet pictures 
and it will be observed that the pictures are sold as heretofore for the same prices and the 
prices given here for frames are extra. If less than seven are ordered, add twenty-five 
cents for the boxing. As the sizes F and larger are not sold in sets we quote prices for 
each including the boxing. 

If less than the quantity named on the B, D, K and R sizes is ordered, add twenty-five 
cents for the box. There is no charge for boxing if sold in the quantity mentioned. 


FRAMING VERY LARGE SIZES 

We will quote prices for framing larger than the G size in the lists above, namely the 
H, J and W sizes, on request. The price will be twenty per cent, above the cost to us. 


TASTE IN FRAMING 

We do not believe in framing water colors in any other styles than gold or mahogany, 
and we advise that the frames be narrow in proportion to the size of the picture; that is 
to say, ^ inches for B and D sizes, inch for K, R and A sizes, ^ inch for Q size, ^ or 
1 inch for S and C sizes, 1 inch for O and P, and 1 to 13/9 inches for E sizes. Any attempt 
to make these pictures look like oil paintings is a mistake and contrary to the genius of 
the subject. 

The above suggestion may be varied so far as to use a greenish gold. 

The old-fashioned figure subjects look very well in a veneer. The gilt or gold frame may 
be placed in any room, but the mahogany is not appropriate for a parlor. 


FRAMES IN BOXES 

A very nice way to ship frames, either with or without pictures, is in pasteboard bo.xes. 
We supply such boxes for our 5x7, 7x9, 8x12 and 10 x 12 gratis. All our shipments 
are made in such boxes which are white and glazed and intended for the display of the 
framed pictures and to be sold with the picture to the consumer. In the larger sizes. A, 
Q, S, C, 0, P and E, we also supply the frames without extra charge in pasteboard boxes, 
but these boxes are merely protective and not glazed; that is to say, they have not the 
finish or solidity of the smaller boxes, and yet are very profitable for the dealer and con¬ 
sumer as they avoid the danger of unskillful packing to a great extent. 

Copyright, 1915, by W.\ll.^ce Nutting 980 

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